Sonatas Band 2 Sonatas Wq 7578, Arioso Wq 79, Fantasie Wq 80 巴赫卡爾‧菲利普‧艾曼紐 奏鳴曲 奏鳴曲 幻想曲 小提琴加鋼琴 維也納原典版
卡爾-菲力浦-伊曼紐爾-巴赫（Carl Philipp Emanuel Bach）的小提琴與大鍵琴伴奏作品貫穿了他的全部創作。最早的作品，如編號仍為 BWV 1036 的《D 小調奏鳴曲》，可以追溯到他跟隨父親學習的年代，但已經顯示出他自己非凡的創作意願。最新的作品是幻想曲《C. P. E. Bachs Empfindungen"（降 F 小調，1787 年）是作曲家晚期風格的代表作。Wiener Urtext Edition 的新版兩卷本收錄了 C. P. E. 巴赫為大鍵琴（鋼琴）和小提琴所作的全部作品。第 1 卷不僅收錄了奏鳴曲 Wq 7174 和 BWV 1036，還收錄了為小提琴和大鍵琴改編的三重奏 Wq 143145（其中大部分收錄在 C. P. E. 巴赫的親筆簽名中），以及之前被忽視的早期版本 Wq 71，該版本與 BWV 1036 一樣，讓人對作曲家的早期作品有了難得的瞭解。第 2 卷收錄了約翰內斯-勃拉姆斯（Johannes Brahms）已經著迷的 1763 年的四首主要奏鳴曲。勃拉姆斯不僅在音樂會上與約瑟夫-赫爾梅斯貝格（Joseph Hellmesberger）共同演奏了這四首奏鳴曲，還在 1864 年出版了其中的兩首。本卷最後收錄了兩首分別創作於 1781 年和 1787 年的晚期作品《詠歎調》和《幻想曲》。通過這些作品，C.P.E.-巴赫在其父的巴羅克晚期奏鳴曲與早期古典'Klaviersonate mit begleitender Violine'[小提琴伴奏鋼琴奏鳴曲]之間架起了一座橋樑"
作曲家: Bach, Carl Philipp Emanuel
編者: Reutter, Jochen
樂器: violin and harpsichord (piano)
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on interpreation - Ornaments and Cadenzas - Facsimlia - Sonate in F Wq 75 - Sonate in h Wq 76 - Sonate in B Wq 77 - Sonate in c Wq 78 - Arioso in A Wq 79 - C.P.E. Bachs Empfindungen-Fantasie in fis Wq 80 - Critical Notes
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 7174 and BWV 1036 but also the arrangements of the trios Wq 143145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a previously ignored early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].