Concerto for Violin and Orchestra in G Major Hob. VIIa:4 Violin and Piano 海頓 小提琴協奏曲 (含鋼琴伴奏) 亨乐版

約瑟夫-哈丁的三首小提琴協奏曲現存於世，其中 C 大調和 A 大調小提琴協奏曲是在埃斯特哈齊王子的宮廷中創作的。G 大調小提琴協奏曲 Hob. G 大調小提琴協奏曲《Hob.VII:4》可能創作於 17 世紀 60 年代初，即他被王子任命之前。因此，這首小提琴協奏曲與其他兩首協奏曲大相徑庭也就不足為奇了；小提琴獨奏部分幾乎沒有超過三度的位置，重點在於抒情而非技巧。因此，對於（年輕的）小提琴學習者來說，這部作品為他們第一次接觸作曲家海頓提供了一個很好的機會。我們的《海頓全集》Urtext 版也是根據 G. Henle Verla 出版的《海頓全集》製作的。該版本的序言內容廣泛，其中包括對真實性的討論。庫爾特-貢特納 (Kurt Guntner) 製作的精緻弦樂弓法和指法，以及弗朗茨-拜爾 (Franz Beyer) 製作的快板為該版本錦上添花"

作曲家: Joseph Haydn
校訂者: Günter Thomas
樂器: Piano; Violin
出版社: Henle Urtext Edition

曲目:
Haydn: Concerto for Violin and Orchestra G major Hob. VIIa:4

原文簡介:
Three violin concertos by Joseph Hadyn survive, of which the ones in C major and A major were written at the court of Prince Esterhazy. The violin concerto in G major Hob. VII:4 was probably composed in the early 1760s, before his appointment by the prince. It thus comes as no surprise that it is very different from the other two concertos; the solo violin part hardly goes beyond the third position, and the focus is more on lyricism than virtuosity. For (younger) violin learners the work thus offers a good opportunity to engage with Haydn the composer for the first time. Our Urtext edition is based on the Haydn Complete Edition, also published by G. Henle Verla. The extensive preface includes a discussion of authenticity, among other things. The edition is rounded off by sophisticated string bowing and fingerings by Kurt Guntner, along with cadenzas created by Franz Beyer.