Drei Arien ohne Worte Versionen fu?r Viola und Klavier (Orgel) 巴赫約翰‧瑟巴斯提安 中提琴 中提琴加鋼琴

作為巴羅克、古典和浪漫主義作品的編曲家，赫裡伯特-布魯爾聲名鵲起。在他為巴赫的中提琴和管風琴改編的三首詠歎調中，Breuer 將 B 小調彌撒曲中著名的《阿格努斯笛伊》放在兩首男高音詠歎調（選自聖歌 Ich bin ein guter Hirt BWV 85 和 Nun komm, der Heiden Heiland BWV 61）之間。每首樂曲都可以單獨演奏。然而，兩首牧歌以搖擺的 9/8 拍構成了中間樂章的框架，而中間樂章則以痛苦和十字架的音樂形象為特徵，這表明這兩首樂曲可以完整演奏。音調和音高與巴赫最初使用的相同"

作曲家: Bach, Johann Sebastian
編者: Breuer, Heribert
校訂者: Breuer, Heribert
樂器: viola and piano (organ)
出版社: Simrock / Benjamin

曲目:
Seht, was die Liebe tut - Agnus Dei - Komm, Jesu, komm

原文簡介:
Heribert Breuer has made a name for himself as an arranger of Baroque, classical and Romantic works. His sense of the special characteristics of each work shows in highly different instrumentations, and he knows how to present the work in an illuminating light thanks to his new arrangement.In his version of three arias for viola and organ by Bach, Breuer places the well-known Agnus Dei from the Mass in B minor right between two tenor arias (from the cantatas Ich bin ein guter Hirt BWV 85 and Nun komm, der Heiden Heiland BWV 61). Each of the pieces can be performed separately. The fact, however, that the two pastorals in a swinging 9/8 meter frame the middle movement which is characterized by musical figures of pain and cross, suggests a complete performance. The keys and pitches are the same as the original ones used by Bach.