Tatar Dance for Bayan and Two Double Basses 古拜杜莉娜 舞曲

一次又一次，作曲家們寫出了一部又一部充滿激情的作品，卻又暫時擱筆。索菲亞-古拜杜麗娜是個例外。然而，幾十年過去了，為巴揚琴和雙低音提琴創作的震撼人心的《韃靼舞曲》才得以印刷出版。韃靼舞曲》創作於 1992 年，多虧了巴揚演奏家弗裡德里希-利普斯（Friedrich Lips）不斷向作曲家介紹這首美妙的作品，並促使她將其出版。現在，利普斯對這部作品進行了編輯，其中充滿了華麗的新聲音，低音提琴與巴揚琴形成了鏗鏘有力的對位。1992 年 7 月 25 日，由埃爾斯貝特-莫澤爾（巴揚琴）、沃爾夫岡-居特勒（Wolfgang Güttler）和亞歷山大-蘇斯林（Alexander Suslin）（均為低音提琴演奏家）獨奏的室內樂作品《韃靼舞曲》在希茨哈克舉行了世界首演。索菲亞-古拜杜麗娜將這部作品獻給了維克多-蘇斯林"

作曲家: Sofia Gubaidulina
樂器: Double Bass; Bayan
出版社: Sikorski
原文簡介:
It so happens, time and again, that composers have written one work or another with great élan and then withheld it for a while. This is rather an exception with Sofia Gubaidulina. Nonetheless, several decades passed before the striking “Tatar Dance” for bayan and two double basses - unusual simply in view of its instrumental combination - could now be published as a printed edition. The “Tatar” Dance was composed in 1992, and it is thanks to the bayan virtuoso Friedrich Lips that he continued to speak to the composer about this wonderful composition and motivated her to have it published. Lips has now edited the work which is full of magnificent new sounds, with the double basses forming a sonorous counterpoint to the bayan. The world premiere of the chamber work “Tatar Dance” was given on 25 July 1992 by the soloists Elsbeth Moser (bayan), Wolfgang Güttler and Alexander Suslin (both double bass) in Hitzacker. Sofia Gubaidulina dedicated this work to Viktor Suslin.