Le Rossiniane Op. 120, 121, 122, 123, 124 for Solo Guitar 吉他

毛羅-朱利亞尼的Rossiniane於 1821 年至 1828 年間出版，由六首完全以喬亞奇諾-羅西尼的音樂為藍本的樂曲組成。鍋莊舞曲是 19 世紀早期最流行的器樂體裁之一，是將不同來源的音樂主題組合成的一首作品。在缺乏現代音樂複製手段的情況下，它們具有非常重要的功能：將通常為劇院創作的音樂帶入家庭。從朱裡亞尼的書信往來中可以推斷出一些重要的觀點：第一，羅西尼的作品是他自己音樂會曲目的一部分；第二，羅西尼不僅知道這個以他的名字命名的項目，還與朱裡亞尼在某些方面進行了合作，向他提供了一些專門為他的作品創作的主題。第三，朱利亞尼非常清楚，這些作品代表了他自己的創作和當時音樂全景的新發展，是 "一種前所未聞的風格"。本版《羅西尼亞內》以流傳下來的當代音樂資料為基礎。此外，它還附有一些關於解釋的評論，這些評論應有助於準確、連貫地解讀這一獨特而新穎的音樂文本"

作曲家: Mauro Giuliani
樂器: Guitar
出版社: Durand
原文簡介:
Mauro Giuliani's Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani's epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, “a hitherto-unknown style.” This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.