Et Exspecto Sonata for Bayan Solo 古拜杜莉娜 奏鳴曲

索菲亞-古拜杜麗娜經常演奏的巴揚獨奏曲《Et exspecto》創作於 1986 年。與這位宗教色彩濃厚的作曲家的許多其他作品一樣，這首作品與基督教信仰有著密切的聯繫。索菲亞-古拜杜麗娜在《Et exspecto》中還提到了耶穌基督的第二次降臨。在這首目前在 "exempla nova "系列中出版的作品中，兩個音域交織在一起--調性和聲與音塊組群交織在一起。作曲家在前四個樂章中都保留了這一和聲，只有第五樂章和最後一個樂章中沒有。所有聽眾都能感受到的是，在這首作品的演奏過程中，不和諧的音域越來越多，其中俄羅斯按鍵式巴揚琴上的空氣按鈕的噪音起到了重要作用。索菲亞-古拜杜麗娜將她的巴揚獨奏奏鳴曲獻給了編輯弗裡德里希-利普斯"

作曲家: Sofia Gubaidulina
樂器: Bayan
出版社: Sikorski
原文簡介:
Sofia Gubaidulina's frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series – a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips.