Detto II for Violoncello and Chamber Ensemble Study Score 古拜杜莉娜 大提琴

為大提琴和室內樂團而作的 "Detto II "是 1972 年為俄羅斯大提琴家娜特莉婭-沙喬夫斯卡婭（Natalia Schachovskaya）而作。單樂章作品名稱中的義大利語 "Detto"（"所說的"）指的是音樂的敘事性。作品的特殊表現力主要由獨奏樂器演奏的四分音符滑音決定。在創作過程中，樂曲從最初的沉思靜止發展到中段的戲劇性衝動。最後，作品在沉思的平靜中結束。這種構思與大提琴獨奏旋律音階從四分之一音階逐漸擴展到幾個八度音階，然後再回到四分之一音階的想法相吻合。這樣的作曲設計為作品增添了波浪般的動感。"此外，《Detto II》中豐富多彩的打擊樂器的使用也十分引人注目。尤其有趣的是尾聲的音效消解，大提琴的主題幾乎消失得無影無蹤，長笛、鋼片琴、電光琴、羊角琴和高弦樂插入了ppp"

作曲家: Sofia Gubaidulina
樂器: Cello; Chamber Ensemble
出版社: Sikorski
原文簡介:
“Detto II” for violoncello and chamber ensemble was composed in 1972 for the Russian cellist Natalia Schachovskaya. The Italian word “Detto” (“that which is said”) in the title of the one-movement work refers to the narrative character of the music. The special expressive quality of the work is essentially determined by the quarter-tone glissandi played on the solo instrument. During the course of the composition, there is a development of initially meditative stasis leading to a dramatically impulsive middle section. Finally, the work concludes in contemplative peace. This conception corresponds to the idea of a gradual expansion of the melodic steps in the solo violoncello from quarter-tones to several octaves and back again to quarter-tones. Such a compositional design lends the work a wavelike dynamic. “Detto II” is also striking for its colourful use of the richly endowed percussion apparatus. Especially interesting is the sonic dissolution of the coda in which the violoncello theme dies away almost to the point of inaudibility, with ppp inserts by the flute, celesta, glockenspiel, crotales and high strings.