Barbarito's Dance 舞曲 豎笛 1把以上加鋼琴

Barbaritos Dance》獻給古巴最重要的長笛演奏家之一 Barbarito Torres。矛盾舞曲是 19 世紀早期典型的古巴音樂風格，受到法國沙龍音樂的影響，是當時古巴上流社會最流行的舞蹈節奏之一。它一般採用二進位記譜法，節奏歡快。這首樂曲突出了 "cinquillo "節奏，它被認為是古巴傳統音樂中非常重要的一個節奏單元。這種音樂風格的最初形式並不包括即興演奏；然而，手頭上以矛盾節奏為特徵的主題卻融化成了一首son montuno，為即興獨奏提供了基礎。由於缺乏即興演奏的機會，這首曲子包含了為兩支單簧管創作的各種獨奏迴圈，在樂句和節奏單元之間強調了古巴音樂表演中至關重要的方面"

作曲家: Zalba, Javier
樂器: 2 clarinets and piano
出版社: advance music GmbH
原文簡介:
Barbarito’s Dance is dedicated to one of the most important Cuban flute players, Barbarito Torres. The contradanza, a Cuban music style typical of the early 19th century, was influenced by French salon music and ranked among those dance rhythms that were most popular with the Cuban high society of those days. It is generally notated in binary form and has a cheerful character due to its lively pace. The piece brings into prominence the cinquillo, a rhythmic cell that is considered to be of great significance in traditional Cuban music. In its original form, this style of music did not feature improvisations; yet, the theme on hand notated in a tempo characteristic of the contradanza melts into a son montuno, which then provides the basis for the execution of improvised solos. For want of opportunities to improvise, the composition includes various solistic cycles written for the two clarinets, emphasizing - between phrases and rhythmic cells – those aspects that are essential to the performance of Cuban music.