The Barber of Seville 塞維亞的理髮師 騎熊士版

本研究樂譜基於派特裡夏-布勞納（Patricia B. Brauner）編輯的《塞維利亞理髮師》評論版，該評論版於 2008 年出版，是 "喬阿基諾-羅西尼作品 "系列的一部分。但誰需要新的 "塞維利亞理髮師 "評論版呢？這部歌劇自 1816 年以來一直在世界各地的劇院上演，從未缺席。出版新的評論版有兩個原因：首先，早期的版本都不能滿足現代對學術評論版的要求"

作曲家: Rossini, Gioachino
校訂者: Brauner, Patricia B.
樂器: scores 總譜
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
This study score is based on the critical edition of “The Barber of Seville” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “The Barber of Seville”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition.

And secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars and performers.

Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two flutes, two oboes and timpani, or in the scoring for the subsequent opera “The Barber of Seville” (with just one flute, one oboe and no timpani).

A series of appendices contain music and information which have been included in no other edition of the opera to date.

- Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation

- Takes into consideration the full extent of Rossini’s personal notational characteristics

- With a detailed foreword (Eng/Ital)