The Horn Concertos K. 417, 495, 447, 412 + 514 (386b) 莫札特 法國號協奏曲 騎熊士版

莫札特的四首圓號協奏曲都與圓號演奏家約瑟夫-萊特格布（Joseph Leutgeb）密切相關，它們都是作曲家在維也納期間（1783 年至 1791 年）為其創作的。這四首協奏曲展現了作曲家對當時圓號樂器的可能性和局限性的理解，同時也受到萊烏特蓋布演奏技巧的影響；顯然，他是圓號手停技巧的大師"

作曲家: Mozart, Wolfgang Amadeus
校訂者: Giegling, Franz
樂器: scores 總譜
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
All four Mozart horn concertos are closely associated with the horn player Joseph Leutgeb, for whom they were written during the composer’s period in Vienna (between 1783 and 1791). They display his compositional approach to the possibilities and limitations of the instrument at that time and were also influenced by Leutgeb’s skills as a performer; he was evidently a virtuoso of the hand-stopping technique on the horn.

The new Bärenreiter Urtext study score replaces the existing individual horn concerto editions (TP 307–310). It contains the authoritative musical text of the New Mozart Edition together with Franz Giegling’s informative foreword(Ger/Eng) on the history of composition of the works, on their transmission and on the former edition of the works which has been revised for the new edition,based on current scholarly findings.

For the first time the study score also includes the Concerto in D major K. 412 + 514 (386b) which is traditionally performed in the version completed by Franz Xaver Süßmayr as well as Mozart’s incomplete Rondo movement with the famous derisive allusions to the horn player Joseph Leutgeb.

- All four horn concertos now available in an Urtext study score edition

- Mozart’s incomplete Rondo K. 412 included for the first time

- Informative revised foreword (Ger/Eng)