Suite bergamasque for Piano 德布西 貝加瑪斯克組曲 鋼琴 騎熊士版

克勞德-德彪西的《佛手柑組曲》於 1905 年由法國弗洛蒙出版社首次出版，但該組曲的起源可追溯到 19 世紀 90 年代初，當時它與出版商 Choudens 簽訂了合同。到組曲出版時，時間已經過去了近 15 年，最初的三樂章組曲已經演變成四樂章的組曲，並有了不同的標題，而且這部作品是由一個與德彪西關係不睦的出版商發行的

作曲家: Debussy, Claude
校訂者: Back, Regina / Palme, Frederik
樂器: piano 鋼琴
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Claude Debussy’s Suite bergamasque was first published in 1905 by the French publisher Fromont , but the suite’s origins go back to the early 1890s when it was first under contract with the publisher Choudens . By the time of the suite’s publication nearly 15 years had transpired and the originally three-movement suite had evolved into one with four-movements with different titles and the work was issued by a publisher to whom Debussy had difficult relations.

The extant 1st proofs to the first edition, corrected by Debussy, clearly show his excision of dozens of bars as well as revealing numerous textural alterations. In 1909 at the earliest, Fromont re-engraved the suite and added many accidentals - in particular in the Passepied - thus altering the harmony. This later engraving has been the basis for all modern editions although no justification for the re-engraving or the resulting modifications can be traced back to Debussy.

Regina Back’s Urtext edition clearly lays out the development of the suite, documents the various reprints and the changes to them, and she offers unique insights into the title of the suite and the individual movements.

Bärenreiter’s new edition is based on the first edition corrected by Debussy - with its original harmony - and offers the later alterations as small print in the volume.

- State-of-the-Art Bärenreiter quality Urtext

- Performer information on Aesthetics i.e. pedalling, tempo, articulation, dynamics

- Critical report (Eng.) and Facsimile