three Sonatas for Piano F minor, A major, C major op. 2 貝多芬 奏鳴曲 鋼琴 騎熊士版

Bärenreiter繼續其Urtext版貝多芬鋼琴奏鳴曲全集的重要貢獻。經常演奏的奏鳴曲作品 2 第 1-3 號是年輕作曲家在維也納向約瑟夫-海頓學習時的作品，也是獻給他老師的作品。貝多芬青年時期在波恩創作了三首早期奏鳴曲，即所謂的 "Kurfürsten-Sonaten"，10 年後，即 1790 年代中期，貝多芬開始在莫札特和海頓的遺產之外發展自己的風格，並在其作品 2 中呈現了他第一首完全有效的鋼琴奏鳴曲

作曲家: Beethoven, Ludwig van
校訂者: Del Mar, Jonathan
樂器: for Piano
出版社: Bärenreiter 騎熊士(小熊版)
難度: 4
原文簡介:
Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with an important contribution. The frequently played Sonatas op. 2, Nos. 1-3, stem from the time when the young composer took lessons from Joseph Haydn in Vienna and are dedicated to his teacher. After Beethoven’s three early sonatas which he wrote as a youth in Bonn, the so-called “Kurfürsten-Sonaten”, Beethoven started 10 years later, in the mid 1790s, to develop a style independent from the legacy of Mozart and Haydn and presented with his op. 2 his first fully valid piano sonatas.

The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for this scholarly-critical Urtext performing edition. In addition he has analysed various copies of the prints published during Beethoven’s lifetime. The result of his accurate research is presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary.

The volume stands out in terms of its elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introduction on the genesis and significance of the sonatas is supplemented by valuable notes on historical performance practice.

- New scholarly-critical performing edition at the cutting edge of scholarship

- Optimum page-turns

- Introduction with valuable notes on historical performance practice (Eng/Ger)

- Detailed Critical Commentary (Eng)