Symphonie Nr. 9 馬勒．古斯塔夫 交響曲 總譜 環球版

第九交響曲》的大型形式在許多方面都不同尋常。它與著名前輩的第九交響曲完全不同。兩個慢板樂章--開頭的安達特-comodo和結尾的Adagio--構成了馬勒所寫的兩個最具戲謔性和憤懣性的內部樂章的框架--一個是ländler-waltz組合，另一個是 "Rondo-Burleske"，一個苦澀、諷刺的樂章，被揶揄地獻給 "我在阿波羅的兄弟們"。馬勒最後完成的交響曲中最特別的部分無疑是慢板終曲--長達 20 分鐘的激烈歌唱樂章充滿衝突，其中以慢動作的形式引用了馬勒早期的作品（《Urlicht》、《Ablösung im Sommer》、《第三交響曲》中的《Scherzo》、《大地之歌》中的《Der Abschied》以及《童謠》中的《Oft denk' ich, sie sind nur ausgegangen》）；這的確像是一個圓圈的終結。(萊因霍爾德-庫比克）通用版繼續其新的學習樂譜標準。這些完全重新設計的樂譜讓人對近百年來的音樂有了無與倫比的瞭解。我們為這次音樂史之旅精心挑選了最好的可用內容，每張樂譜都按照最新的品質標準進行了編輯"

作曲家: Mahler, Gustav
編者: Ratz, Erwin
樂器: for orchestra
出版社: Universal Edition
原文簡介:
The large-scale form of Symphony No. 9 is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote - a ländler-waltz combination, and the 'Rondo-Burleske', a bitter, ironic movement that is derisively dedicated 'to my brothers in Apollo'. The most extraordinary part of Mahler's last completed symphony must certainly be the slow finale - a 20-minute long intensively singing movement laden with conflict that includes references to earlier works by Mahler, in slow motion as it were (Urlicht, Ablösung im Sommer, the Scherzo of Symphony No. 3, Der Abschied from Das Lied von der Erde, and Oft denk' ich, sie sind nur ausgegangen from the Kindertotenlieder); it indeed seems that a circle is being closed. (Reinhold Kubik) Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards.