Pierrot lunaire op. 21 Dreimal sieben Gedichte 荀貝格 總譜 環球版

皮耶羅的新月》標誌著勳伯格表現主義時期的高潮，他將這一時期的精髓描述為放棄調性中心和系統關係，取而代之的是他後來發展的十二音調方法及其十二音原則。從 1907/1908 年開始，摒棄調性和 "解放不和諧 "使他對形式和音樂表現力的理解發生了根本性的變化： 我正在無條件地接近一種新的表達方式--我能感覺到。現在的聲音幾乎變成了感性和理性情感的獸性直接表達--幾乎就像一切都被直接傳播了一樣。(日記，1912 年 3 月）"

作曲家: Schoenberg, Arnold
樂器: for speaker and 5 instrumentalists
出版社: Universal Edition
原文簡介:
Pierrot lunaire marks the high point of Schoenberg's expressionistic period, the essence of which he described as renouncing tonal centers and systematic relationships, replacing them with the twelve-tone method he was later to develop, with its dodecaphonic principles. Dethroning tonality and 'emancipating the dissonance' led to a radical change in his understanding of form and the intensity of musical expression beginning in 1907/1908: 'And I am unconditionally approaching a new kind of expression - I can sense it. The sounds now are virtually becoming a bestially direct expression of sensual and intellectual feelings - almost as if everything had been directly propagated.' (Diary entry, March 1912.)