Cadenzas to the Concerto for Trumpet and Orchestra Eb major by Joseph Haydn 彭德瑞茲基 裝飾樂段 協奏曲小號管弦樂團大調 小號獨奏 朔特版

古典晚期，作曲家開始希望確定獨奏協奏曲快板中的每一個音符，而不是留給獨奏家的演奏靈感。潘德列茨基為海頓著名的小號協奏曲所寫的快板就繼承了這一傳統，但現代作曲家的創作意願使其範圍更為廣泛。潘德列茨基的風格手法讓獨奏者有充分的機會展示自己的精湛技藝。海頓協奏曲各樂章的原始音符作為基本框架依然存在。在快板中加入圓號部分，形成了一種高度結構化的形式，展示了古典時期的小號協奏曲在現代作曲技術下的反映"

作曲家: Penderecki, Krzysztof
樂器: trumpet
出版社: Schott Music
原文簡介:
In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist’s virtuoso inspiration. Penderecki’s cadenzas for Haydn’s celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope. Penderecki’s stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn’s concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.