Doumka op. 59 Scène rustique russe 柴科夫斯基．彼得 悲歌 鋼琴獨奏 朔特版

1886年2月下旬，柴可夫斯基在短短幾天內創作了俄羅斯鄉村場景《杜姆卡》。杜姆卡》原本是一首具有史詩和歷史意義的西南斯拉夫民歌的名字，帶有憂傷的性質。在柴可夫斯基的作品 59 中，挽歌式的 "行板 "構成了快速中段的框架，其中簡短的公式化思想、新的變化和不斷增強的技巧強度，展現了鋼琴的絢麗火花。作為一位很少舉辦音樂會的鋼琴家，柴可夫斯基偶爾會抱怨當時的鍵盤樂器巨匠（李斯特、漢斯-馮-比洛、安東和尼古拉-魯賓斯坦兄弟）對他的音樂缺乏興趣。柴可夫斯基當然將這首曲子視為一個讓俄羅斯以外的人瞭解他的音樂的機會。因此，該作品的法文副標題可以理解為對法國聽眾的一種讓步"

作曲家: Tchaikovsky, Peter Iljitsch
編者: Kohlhase, Thomas
校訂者: Vinocour, Lev
樂器: piano
出版社: Schott Music
原文簡介:
Tchaikovsky composed the Russian rural scene 'Dumka' in just a few days in late February 1886. 'Dumka' is originally the name of an epic and historical South West Slavic folk song of a melancholy nature. In Tchaikovsky's Op. 59, the elegiac andante cantabile forms the framework of the fast middle section in which brief formulaic thoughts, newly varied and increasing in virtuosic intensity, display fireworks of pianistic brilliance.Being his only 'Morceau de Concert', this piece occupies a special place among the piano works of Tchaikovsky. As a pianist who rarely gave concerts and occasionally complained about the lack of interest from the keyboard titans of his time (Franz Liszt, Hans von Bülow and the brothers Anton and Nikolaj Rubinstein) in his music. Tchaikovsky certainly regarded the piece as a chance to make his music known outside of Russia. So the French subtitle of the piece may rather be understood as a concession to the French audience.