String Quintets - Volume I Parts 莫札特 弦樂五重奏 亨乐版

"因為我只需要四個聲部就能表達一切"--據說海頓在被問及為何不創作弦樂五重奏時這樣回答。莫札特的看法不同。他曾六次創作這一體裁，甚至將重要部分交給了兩把中提琴。繼收錄了最常演奏的三首五重奏的第二卷之後，我們現在向樂團熱烈推薦莫札特的第一首五重奏 K. 174，第三卷也是最後一卷將於 2008 年出版。在 2008 年第三卷也是最後一卷出版之前，我們將向樂團熱烈推薦莫札特的第一首五重奏 K. 174。這表明莫札特的作曲工作十分緊張，因此他對作品的小步舞曲和終曲進行了第二次創作。這兩個樂章的第一個版本收錄在我們版本的附錄中，以便進行深入的比較"

作曲家: Wolfgang Amadeus Mozart
校訂者: Ernst Herttrich
樂器: String Quintet
出版社: Henle Urtext Edition
原文簡介:
“Because I only need four parts to express everything” – Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre six times, even giving important parts to the two violas. Following Volume II, which contains the three most often played quintets, we now warmly recommend Mozart's first Quintet K. 174 to ensembles, before in 2008 the 3rd and final volume will be published. The editors were able to refer to the autograph, which is once again accessible. It shows Mozart's intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.