String Quintet F major op. 2/6 弦樂五重奏大調 朔特版

洛裡安-利奧波德-加斯曼（Florian Leopold Gaßmann，1729-1774 年）的作品 2 "Sei quintetti, Dilatamenti, Notturni o sia Serenate Per Violino o Flauto, Violino Secondo, Due Viole e Baßso...... "屬於最早的五重奏，與奧曼、范哈爾、瓦根西爾等人的作品齊名。與該系列中的其他三首五重奏不同，這首五重奏的主要聲部沒有典型的弦樂和雙音栓指令，因此甚至可以由長笛演奏。與約瑟夫-海頓的第一首四重奏作品 1 一樣，這首五重奏中的兩首小步舞曲構成了一個緩慢的中間部分，即一個小樂章，打破了常見的調性平等。維也納地區早期五重奏的典型特點是小提琴和中提琴成對排列，因此樂段通常類似於以三度伴奏的三重奏。這種聲部安排有時會被打破，如第二段三重奏中的首席中提琴獨奏，或慢板中首席小提琴和大提琴的簡短合奏"

作曲家: Gaßmann Florian Leopold
改編者: Sieber, Tilman
樂器: 2 violins, 2 violas and cello
出版社: Schott Music
原文簡介:
Florian Leopold Gaßmann's (1729-1774) Op. 2, 'Sei quintetti, Dilatamenti, Notturni o sia Serenate Per Violino o Flauto, Violino Secondo, Due Viole e Baßso ...' belongs among the earliest quintets, alongside those by Aumann, Vanhall, Wagenseil and a few others. In contrast to three other quintets of this series, the principal part in this quintet is free of typical instructions for the strings and double stops; it may therefore even be played by the flute. As in Joseph Haydn's first quartets Op. 1, two minuets in the current quintet frame a slow middle section, a minor movement, which interrupts the common equality of keys. Typical of the early quintet settings of the Viennese area is the arrangement of violins and violas in pairs so that the parts are often similar to a trio setting accompanied in thirds. This arrangement of parts is sometimes broken up, in this case by the solo of the principal viola in the second trio or by the brief ensemble playing of the principal violin and cello in the slow movement.