String Quartets Op. 59, 74, 95 貝多芬 弦樂四重奏 亨乐版

本卷中的五首絃樂四重奏通常被稱為貝多芬的 "中級四重奏"，儘管它們在風格上並不都是一個封閉的單元。從三首四重奏作品Op. 作品 59（1806 年）和四重奏作品 74（1809/10 年）之間相隔三年多的時間。74 (1809/10). 在四重奏作品Op. 因此，這些作品常被稱為 "俄羅斯四重奏"。下一首降 E 大調四重奏作品（Op.74）也有一個綽號：由於第一樂章中延長的撥弦段落，它經常被稱為 "豎琴四重奏"。F 小調四重奏作品 而作品 95 的 F 小調四重奏則被冠以 "Quartett serioso "的親筆簽名。所有五首四重奏都是成熟的大師之作，對詮釋和技術要求極高"

作曲家: Ludwig van Beethoven
校訂者: Paul Mies
樂器: String Quartet
出版社: Henle Urtext Edition

曲目:
Beethoven: Quartet F major op. 59,1 [Rasumowsky] F major op. 59,1
Beethoven: Quartet C major op. 59,3 [Rasumowsky] C major op. 59,3
Beethoven: Quartet E minor op. 59,2 [Rasumowsky] e minor op. 59,2
Beethoven: Quartet f minor op. 95
Beethoven: Quartet E flat majeur op. 74 [Harp Quartet] E flat major op. 74

原文簡介:
The five string quartets in this volume are generally designated as Beethoven's “middle quartets,” even though stylistically they do not all build a closed unit. More than three years lie between the inception of the three quartets op. 59 (1806) and the quartet op. 74 (1809/10). In the quartets op. 59, Beethoven sprinkled several Russian folksong themes – an homage to Prince Razumovsky, who had commissioned the works.This is why the pieces are often called the “Russian Quartets.” The next quartet, op. 74 in E flat major, was also given a nickname: thanks to extended pizzicato passages in the first movement, it is frequently called the “Harp Quartet.” The F minor Quartet op. 95, in turn, bears the autograph title “Quartett serioso.” All five quartets are mature masterworks which demand high interpretative and technical mastery.