String Quartet in A Minor, Op. 29, D. 804 Rosamunde 舒伯特 弦樂四重奏 羅莎蒙 亨乐版

A小調四重奏》是舒伯特在1824年春天希望 "為偉大的交響樂鋪平道路 "的室內樂作品之一。同時，他也在為更多的聽眾鋪平道路，因為 "羅莎蒙德 "四重奏是舒伯特生前第一首也是唯一一首不僅公開演奏過，而且還部分出版的絃樂四重奏。我們很幸運，因為這首廣受喜愛的四重奏的親筆簽名至今下落不明，而作品的唯一來源就是初版本。這正是我們面臨的挑戰所在，因為這些部分在銜接和動態方面存在一些誤差。我們必須小心翼翼地解決這些問題，而我們的新版 Urtext 則堪稱典範。這首曲子的名字可以追溯到舒伯特為戲劇《羅莎蒙德》創作的附帶音樂，在安達特樂章的開頭就可以聽到。不過，很多人可能會想起降 B 大調即興曲作品第 142 卷第 3 號。142之3即興曲，舒伯特後來在其中再次使用了這一優美的旋律"

作曲家: Franz Schubert
校訂者: Egon Voss
樂器: String Quartet
出版社: Henle Urtext Edition
原文簡介:
The Quartet in A minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody.