String Quartet F sharp minor op. 28 弦樂四重奏小調 朔特版

來自奧本海姆的作曲家約翰娜-森弗特（Johanna Senfter，1879-1961 年）一生關注弦樂室內樂，甚至曾在法蘭克福學習小提琴。後來，馬克斯-雷格（Max Reger）在萊比錫給她上課，先是私人授課，然後是在音樂學院的作曲課上，並看重她'非凡的作曲天賦'。這位嚴厲的老師越來越成為約翰娜-森弗特作品的忠實推廣者。在長達 50 年的時間裡，作曲家一直專注于絃樂四重奏體裁，從世紀之交不久創作的 D 小調第一四重奏作品 4，到 1960 年（她去世前一年）首次公演的第六也是最後一部 C 小調四重奏作品 115。升F小調四重奏作品28是她的第二部四重奏作品，於1922年11月5日在達姆施塔特首演。在這部作品中，森弗特將傳統的形式模式--這裡是巴羅克樂章，如加沃特舞曲、薩拉班舞曲、吉格舞曲--與富有表現力的晚期浪漫主義音樂語言相結合。這部作品由六個短樂章組成，毫無疑問可被視為四重奏曲目的寶貴補充"

作曲家: Senfter Johanna
改編者: Birtel, Wolfgang
樂器: 2 violins, viola and cello
出版社: Schott Music
原文簡介:
The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire.
難度: advanced