Suite for Strings in D
$7,800TWD
-
$7,800TWD
$7,800TWD
$7,800TWD
-
$7,800TWD
$7,800TWD
作者:Keaton Springfield
樂器:String Orchestra
出版社:Songburd Music
商品描述:
Suite for Strings in D is an original work that draws its inspiration from previous classical composers of the genre—individuals that set evolving standards in the medium over centuries—including Antonín Dvořák, Pyotr Ilyich Tchaikovsky, Edvard Grieg, and Peter Warlock. The Suite for Strings in D was written to capture some of the stylistic elements found among the works of these composers using musical motives from Keaton’s sketchbooks that have been consolidated into a dance suite with a general four-voice texture to produce a lyrical suite for strings. Stylistic emulations are visible throughout the Suite for Strings in the “Waltz” (Tchaikovsky), the two-part “Ouverture” (Purcell and Corelli), the “Rigaudon” (Peter Warlock), and “La Réjouissance” (Handel). The suite’s fourth movement, “Alla Marcia,” conveys Keaton’s personal style apart from the other movements’ emulations.
樂器:String Orchestra
出版社:Songburd Music
商品描述:
Suite for Strings in D is an original work that draws its inspiration from previous classical composers of the genre—individuals that set evolving standards in the medium over centuries—including Antonín Dvořák, Pyotr Ilyich Tchaikovsky, Edvard Grieg, and Peter Warlock. The Suite for Strings in D was written to capture some of the stylistic elements found among the works of these composers using musical motives from Keaton’s sketchbooks that have been consolidated into a dance suite with a general four-voice texture to produce a lyrical suite for strings. Stylistic emulations are visible throughout the Suite for Strings in the “Waltz” (Tchaikovsky), the two-part “Ouverture” (Purcell and Corelli), the “Rigaudon” (Peter Warlock), and “La Réjouissance” (Handel). The suite’s fourth movement, “Alla Marcia,” conveys Keaton’s personal style apart from the other movements’ emulations.
D 調弦樂組曲》是一部原創作品，其靈感來源於前幾位元古典音樂作曲家--他們在過去幾個世紀中為音樂媒介樹立了不斷發展的標準，其中包括安東寧-德沃夏克、彼得-伊裡奇-柴可夫斯基、愛德華-格裡格和彼得-沃洛克。 D 調弦樂組曲》的創作是為了捕捉這些作曲家作品中的一些風格元素，它採用了基頓素描本中的音樂動機，並將其整合為一首舞蹈組曲，配以一般的四聲部質地，從而產生了一首抒情弦樂組曲。
在整部弦樂組曲中，可以看到 "圓舞曲"（柴可夫斯基）、二部曲 "序曲"（普賽爾和科雷利）、"裡高東"（彼得-沃洛克）和 "歡欣鼓舞"（亨德爾）的風格模仿。 組曲的第四樂章 "Alla Marcia "在其他樂章的模仿之外，傳達出基頓的個人風格。