Sinfonia N. 6 New Version 1994 亨采 交響曲 總譜 朔特版

第六交響曲》創作於 20 世紀 60 年代末，1969 年 11 月 26 日由古巴國家交響樂團在哈瓦那首演。1969年11月26日，在我的指揮下，古巴國家交響樂團在哈瓦那首次演出。這部交響曲不僅反映了那些年覺醒的激動氣氛，也反映了我努力將當時經歷的大量新的人文和藝術刺激納入作品的過程。因此，班卓琴開始演奏一首越南自由之歌（《黑夜中的星星》），隨後又響起米基斯-希歐多爾拉基斯的自由讚歌的第一小節。在原版中，交響曲的三個部分不間斷地融合在一起。在修訂版中，我將它們分開，以便聽眾更容易捕捉到就內容而言也是內部起承轉合的起承轉合。 除了加強弦樂的音色外，與第一版相比，最重要的變化是我完全譜寫了所有的無伴奏段落和音高。因此，我想把它們從偶然性和不確定性的領域中解放出來，重新置於我的藝術控制之下

作曲家: Henze, Hans Werner
樂器: 2 orchestra
出版社: Schott Music
原文簡介:
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night), later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze