Micro-Concerto 麥基 協奏曲 總譜 博浩版

曲家想像出了從木片、金屬片和皮片中發出聲音的特殊方法，而不是簡單地敲打東西，因為對他來說，為打擊樂創作的第一步就是發明樂器和演奏技巧。"兩段間奏是在標準的大件打擊樂器上演奏的，但主要樂章側重於細小的動作和微妙的區別。這兩段插曲是在大型標準打擊樂器上演奏的，但主要動作都集中在小動作和微妙的區別上，充滿了對如何恰到好處地演奏某種手持玩具的挑剔描述。這種對小肌肉群的微觀管理，以及協奏曲獨奏者由能想像到的最小的管弦樂隊伴奏的事實，都是標題的由來"

作曲家: Mackey, Steven
樂器: Percussion and chamber ensemble
出版社: Boosey & Hawkes
原文簡介:
The composer imagined particular ways to coax sound out of pieces of wood, metal and skin instead of simply hitting things as for him, the first step in writing for percussion is to invent the instrument and a playing technique.The two interludes are played on big, standard pieces of percussion furniture, but the main movements focus on small moves and subtle distinctions. They are full of fussy descriptions of how to play some handheld toy just so. This micro-management of small muscle groups, and the fact that the concerto soloist is accompanied by the smallest orchestra imaginable, suggested the title.