L'Invisible Trilogie lyrique 萊曼 總譜 朔特版
簡介 阿裡貝特-萊曼的《抒情三部曲》改編自莫里斯-梅特林克的三部戲劇：在《L' Intruse》中，一家人與失明的祖父坐在桌旁。他們在等待醫生的到來，以照顧產後臥病在床的女兒：她剛出生的兒子還沒有發出一點聲音。老人從房間裡不安的氣氛中感覺到不對勁。誰坐在我們中間？只有他能看到死亡的存在。室內傍晚時分，一家人再次圍坐在餐桌旁，但這次我們是從外面觀察的，與祖父和一個陌生人一起透過窗戶看：聽不到任何聲音。陌生人在屋外報告說，大女兒淹死了，他已經把她從河裡撈了上來。雖然屍體已經被抬到村子裡的人家，但祖父還是不忍心破壞這田園詩般的生活。丁塔吉爾斯的死年輕的丁塔吉爾斯聽說了一個關於神秘城堡和年邁王后的故事，王后殺害了所有可能的王位繼承人。他的兄弟姐妹們感覺到丁塔吉爾斯是被召喚到城堡裡來被謀殺的，但沒有人公開表達這個事實。正是間奏曲中的陰險死亡使者，現在以王后僕人的身份出現，他們滿足了王后的要求，從王后姐妹的懷抱中奪走了熟睡的男孩。評論："與《美狄亞》中暴風雨般的情感和暴力相比，萊曼的配樂在音效上的調整令人印象深刻。第一段以隆隆作響、猶豫不決和富有表現力的音樂開始，要求低音弦樂演奏出非常巧妙的音效，包括敲擊和顫動的滑音，以嘈雜的方式表達致命的恐懼。在第二部分中，木管組的演奏時而近乎室內樂，時而又突然變得尖銳刺耳。第三部分在豐富飽滿的管弦樂中肆意狂歡。雷曼展示其精湛技藝的方式，包括紋理的明暗變化、聲音的湧現與消逝、節奏與旋律的苦難能力以及音樂的內在暴力等，無不令人折服。(沃爾夫岡-施賴伯，《歌劇世界》，2017 年 11 月）
作曲家: Reimann Aribert
樂器:
出版社: Schott Music
曲目:
L'Intruse - Interlude I - Intérieur - Interlude II - La Mort de Tintagiles
原文簡介:
SYNOPSIS Aribert Reimann’s ‘Trilogie lyrique’ is based on three plays by Maurice Maeterlinck: In L’ Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. ‘Who is sitting in our midst?’ he asks. He is the only one who can see the presence of death. Intérieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirs to the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queen’s servants, who ful?l her demand and snatch the sleeping boy from his sisters’ arms. COMMENTARY ‘In comparison with his Medea for example with its stormy outbreaks of emotion and violence, Reimann’s score is worked in an impressive re?nement of sound. It begins with rumbling, hesitating and expressive music in the ?rst section, demanding highly ingenious sound effects from the lower strings including tapping and faltering glissandos in its noisy expression of mortal fear. In the second part, the woodwind formation plays at times almost in chamber music fashion and is then suddenly painfully shrill. The third part luxuriates and rages in its rich, full orchestration. The manner in which Reimann displays his mastery in textural shading, the invention of sounds welling up and fading away, the rhythmic and melodic capacity of suffering and the music’s inner violence are all utterly compelling.’ (Wolfgang Schreiber, Opernwelt, November 2017)
語言: French
頁數:280
重量(g): 910
ISMN: 9790001214179
UPC: 842819115281