Eternity's Sunrise for string orchestra 馬特蘭 弦樂團 總譜 朔特版

我想為為編舞家亨利-奧吉克及其舞團創作的《虎舞》寫一部伴奏作品。雖然《永恆的日出》是為音樂廳而非劇院創作的，但舞蹈是音樂的一個普遍特徵，合奏幾乎自始至終節奏一致。開場的爆破為接下來的演奏奠定了基礎，最後的短暫迴旋作為尾聲。史蒂夫-馬特蘭（Steve Martland）說："這部作品對演奏者和觀眾都有強烈的震撼力，它是高壓音樂，需要演奏者真正的耐力。 在首演和隨後的巡演中，觀眾都非常喜歡這部作品，它也是一部非常棒的舞曲： 把歡樂束縛在自己身上的人，會毀滅展翅飛翔的生命；而在歡樂飛翔時親吻它的人，會活在永恆的日出中。順便提一下，這首詩在斯托克豪森工作生涯的大部分時間裡都放在他的辦公桌上，而他的去世就發生在史蒂夫創作這首作品的時候

作曲家: Martland, Steve
樂器: string orchestra
出版社: Schott Music
原文簡介:
I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than the theatre, dance is a pervasive feature of the music, the ensemble plays almost throughout in rhythmic unison. The opening burst sets the stage for what follows and makes a short final return as a coda. The work last about sixteen minutes.Steve Martland.The work has a powerful impact on both players and audiences, it's high-voltage music requireing real stamina from the performers. Audences at the premiere and subsequent tour loved it and the work would make marvellous dance music.The title of this piece comes from lines by the visionary English poet William Blake: He who binds to himself a joyDoes the winged life destroy;But he who kisses the joy as it fliesLives in eternity's sunrise. Incidentally, this poem was on Stockhausen's desk for most of his working life, and his death occurred as Steve was writing the piece.