Deux Nocturnes Dramatic arias 哥德希米特．貝陶德 夜曲詠唱調 總譜 博浩版

這兩首為女高音和管弦樂隊創作的法語作品是戈爾德施密特的最後一部作品。第一首是皮埃爾-勒莫恩（Pierre le Moyne，1602-71 年）的《裘蒂斯》，描寫了一位猶太婦女夜裡潛入亞述人霍洛費恩的帳篷，用劍砍下了他的頭，以此向其俘虜霍洛費恩復仇。第二首是《龍德爾》，描寫的是特裡斯坦-科比埃（1845-75 年）的一首詩，他是一位非常不尋常的作家，一生在布列塔尼默默無聞，後被魏爾倫發現。這些 "戲劇性詠歎調 "共同構成了戈爾德施密特作曲生涯動人而恰當的結尾，其表達、線條和姿態的經濟性是其晚期風格的特徵。 如果需要，每首詠歎調都可以單獨演奏

作曲家: Goldschmidt, Berthold
樂器: soprano and orchestra
出版社: Boosey & Hawkes

曲目:
Judith - Rondel

原文簡介:
These two settings of French texts for soprano and orchestra were Goldschmidt final compositions. The first, Judith by Pierre le Moyne (1602-71), describes the Jewish woman who wreaks vengeance on her Assyrian captor Holofernes by creeping into his tent at night and cutting off his head with a sword. The second, Rondel, sets a poem by Tristan Corbiere (1845-75), a highly unconventional writer who spent his life in complete obscurity in Brittany and was posthumously discovered by Verlaine. Together, these ‘dramatic arias’ form a moving and fitting close to Goldschmidt’s compositional career with an economy of expression, line and gesture characteristic of his late style. Each aria may be performed separately if desired.