Works for Piano 4 Hands Band 2 Original text of the new Schumann Complete Edition 舒曼．羅伯特 鋼琴 歌詞 4手聯彈(含以上) 維也納原典版
儘管羅伯特-舒曼非常喜歡二重奏，但他為鋼琴二重奏創作的作品卻寥寥無幾。創作於 1848 年的《Bilder aus dem Osten》作品 66 是直到 20 世紀最著名、最常演奏的鋼琴二重奏作品之一。但這位 18 歲作曲家以弗朗茨-舒伯特為榜樣，甚至在和聲的大膽創新和音調的獨創性上超過舒伯特的作品 3《波羅乃茲舞曲》，已經顯示出自學成才的舒曼正在走向自己的風格。在第一卷收錄了為音樂教學目的而創作的較為簡單的作品後，第二卷除了上述兩部作品外，還收錄了迷人但鮮為人知的作品109《Ballszenen》。根據《新舒曼全集》（由約阿希姆-德拉漢姆和伯恩哈德-阿佩爾編輯）的音樂文本新編的維也納烏爾文版首次提供了可靠的原始文本，尤其是迄今為止編輯不足的 8 首波羅乃茲舞曲。附錄中收錄了廣受歡迎的作品 73《幻想曲》（原為單簧管和鋼琴曲），由作曲家、未來的舒曼研究者弗裡德里希-古斯塔夫-揚森（Friedrich Gustav Jansen）編輯。1851 年出版的編曲經過了修訂，因此得到了舒曼本人的授權"
作曲家: Schumann, Robert
編者: Draheim, Joachim
校訂者: Borota, Ljiljana / Knebel, Christian
樂器: piano (4 hands)
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on Interpretation - 8 Polonaises for piano 4 hands Anh. G1 - Bilder aus Osten op. 66 - Ball-Szenen op. 109 - Fantasiestücke für Klarinette und Klavier op. 73 bearbeitet für Klavier zu vier Händen von Friedrich Gustav Jansen
Although Robert Schumann absolutely loved to play a duet, he wrote only few works for piano duet. Created in 1848, Bilder aus dem Osten Op. 66 was one of the best-known and most frequently played works in the piano duet literature until the 20th century. But the Polonaises Op. 3 by the 18-year-old composer following the example of Franz Schubert and even exceeding him in harmonic boldness and tonal ingenuity already show the self-taught Schumann on the way to his own style. After volume 1 which contains the easier works composed for music teaching purposes, volume 2 now contains the charming, yet hardly known Ballszenen Op. 109 in addition to the two above-mentioned works. The new edition of the Wiener Urtext Edition based on the musical text of the New Schumann Complete Edition (edited by Joachim Draheim and Bernhard Appel) provides for the first time a reliable original text based on the sources, especially for the 8 Polonaises which had been inadequately edited up to now. The appendix contains the popular Fantasiestücke Op. 73 (originally for clarinet and piano) edited by the composer and future Schumann researcher Friedrich Gustav Jansen. The arrangement published in 1851 had been revised and thus been authorized by Schumann himself.