Missa sacra op. 147 for four-part choir and orchestra 舒曼．羅伯特 合唱團管弦樂團 總譜 歐伊倫堡版

在 19 世紀中葉，無論誰試圖創作拉丁彌撒曲，都必須與偉大的典範和傳統的作曲技法競爭。巴赫的《B小調彌撒曲》和貝多芬的《莊嚴彌撒曲》，甚至是他早期的《C大調彌撒曲》（舒曼曾演奏過），都是接受高度浪漫主義的偉大彌撒傳統的重要作品。與之前的舒伯特和後來的布魯克納不同，舒曼的 C 小調彌撒曲也受到傳統的束縛，但卻在'Ordinarium Missae'中找到了自己的表述方式，其特點指向作曲家的晚期風格"

作曲家: Schumann, Robert
編者: Appel, Bernhard R.
樂器: choir and orchestra
出版社: Ernst Eulenburg & Co. GmbH

曲目:
Preface - Vorwort - Kyrie - Gloria - Credo - Offertorium - Sanctus - Agnus Dei

原文簡介:
Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.