Fairy Tales op. 132 Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3 舒曼˙羅伯特 鋼琴三重奏 童話故事 朔特版

為降B大單簧管（小提琴伴奏）、中提琴和鋼琴而作的童話敘事曲（Märchenerzählungen），作品132，是舒曼為數不多的在短時間內完成創作、修改和出版的作品：1853年10月初在杜塞爾多夫創作，11月3日已向佈雷特科夫& Härtel出版社提出出版，1854年2月付印。在創作和出版《少女之歌》的同時，作曲家也經歷了一段艱難的時期，那是作曲家被送往恩德尼希精神病院的最後日子。這部作品的受歡迎程度與最後的創作時期如影隨形：這些作品與他人生的黑暗階段聯繫在一起，很少被演奏。Märchenerzählungen》是舒曼為這種與眾不同的鋼琴三重奏與中提琴和單簧管創作的唯一作品。在當時，這種三重奏形式唯一為人熟知的是莫札特的 "凱格爾施塔特 "三重奏 K 498（作於 1786 年）。舒曼在萊比錫時期肯定已經熟悉了這部作品--1829 年的一次 "四重奏會議 "上演奏過這部作品

作曲家: Schumann Robert
改編者: Novara, Elisa
樂器: clarinet (violin), viola and piano
出版社: Schott Music
原文簡介:
The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829.
難度: intermediate - advanced