Concerto A minor op. 54 舒曼．羅伯特 協奏曲小調 雙鋼琴 朔特版

鋼琴與管弦樂隊巧妙地交織在一起，兩者缺一不可。[......]在這首鋼琴協奏曲中，鋼琴家不僅是獨奏家，也是管弦樂音樂家"，克拉拉-舒曼在世界首演後寫道。克拉拉-舒曼在世界首演後寫道："鋼琴家不僅是獨奏家，同時也是管弦樂演奏家。"正如她甚至所有後來的鋼琴家都必須學會的那樣，鋼琴與樂隊異常緊密的結合對鋼琴家和指揮提出了更高的要求--因為古典獨奏協奏曲的對比原則在這裡被融合原則所取代。儘管最初在理解上存在一定困難，但鋼琴協奏曲還是成為了最受歡迎的浪漫主義音樂作品之一"

作曲家: Schumann, Robert
編者: Appel, Bernhard R.
樂器: piano and orchestra
出版社: Schott Music
原文簡介:
The piano is most subtly interwoven with the orchestra - one cannot think of one without the other. [...] In this Piano Concerto the pianist is not only soloist but orchestral musician as well', Clara Schumann wrote after the world premiere. As she and even all following pianists had to learn, the unusually tight integration of the piano into the orchestra put increased demands on the pianist and the conductor - since the contrast principle of classical solo concertos here makes way for a fusion principle. Despite certain initial difficulties of understanding, the Piano Concerto became one of the most popular pieces of Romantic music.