Adagio and Allegro, Op. 70 Edition for Violin and Piano With Marked and Unmarked String Part 舒曼‧羅伯特 慢板 小提琴(含鋼琴伴奏) 亨乐版

1849年，舒曼轉向一種新的體裁：鋼琴與伴奏樂器作品。他系統地為不同的管樂器演奏了幻想曲、浪漫曲等。- 他還總是為弦樂提供另一個聲部。因此，舒曼還為他的作品《阿達吉奧與快板》（Adagio and Allegro op. 70 作品《圓號與鋼琴的快板與慢板》的替代部分，即小提琴部分。克拉拉與圓號演奏家尤利烏斯-施利特勞（E. Julius Schlitterlau）一起演奏了這部新作品，並在之後的日記中寫道 "這首曲子非常出色，清新而富有激情，正如我所喜歡的那樣！"就連舒曼也熱情洋溢地承認這一點。就連舒曼也熱情洋溢地承認，他 "演奏得很開心"--即使在今天，許多音樂家也是如此

作曲家: Robert Schumann
校訂者: Ernst Herttrich
樂器: Violin; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
In 1849, Schumann turned to a new genre: works for piano and an accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. – and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, namely for the violin. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: “The piece is splendid, fresh and passionate, just as I like it!” And even Schumann admitted enthusiastically that he “had had fun with it” – which is true of many musicians even today.