Swan Song 舒伯特 天鵝之歌 長笛加鋼琴 齊默爾曼版

浪漫主義時期的重要作曲家幾乎完全忽視了長笛作為獨奏或室內樂樂器的作用。因此，對這些作曲家適合長笛演奏的作品進行歷史性的改編，被認為是對曲目的極大豐富。小提琴家兼作曲家利奧波德-揚沙是 19 世紀上半葉維也納音樂界的領軍人物之一，他在李斯特神父的改編下，將其同時代的弗朗茨-舒伯特的歌曲改編為長笛和鋼琴曲。就像為長笛和鋼琴改編舒伯特的《冬之旅》（Zimmermann ZM 35060）一樣，揚沙也在十首精選天鵝之歌的開頭部分保持了與舒伯特原作的一致，並對隨後的詩句進行了有品位的修改，其中的點綴部分則參考了李斯特的鋼琴改編曲"

作曲家: Schubert, Franz
編者: Waechter, Edmund / Weinzierl, Elisabeth
校訂者: Jansa, Leopold
樂器: flute and piano
出版社: Musikverlag Zimmermann
原文簡介:
The significant composers of the Romantic period almost entirely ignored the flute as a solo or chamber music instrument. It’s for this reason that any historical adaptations of works suitable for the flute by these composers are regarded as an extremely welcome enrichment to the repertoire. In this case, violinist and composer Leopold Jansa – who was amongst Vienna’s leading music personalities in the first half of the 19th century – took the songs of his contemporary Franz Schubert and arranged them for flute and piano “after Fr. Liszt’s adaptation”. As in the adaptation of Schubert’s Winterreise [Winter journey] for flute and piano (Zimmermann ZM 35060), Jansa also remains close to Schubert’s original at the beginning of the ten selected swansongs and tastefully modifies the subsequent verses with embellishments which allude to Franz Liszt’s piano adaptations.