Piano Sonata in E-Flat Major, D. 568 舒伯特 鋼琴 奏鳴曲 降E大調

在舒伯特歡快的降E大調奏鳴曲中，聽眾並不知道作曲家經過了長時間的努力才完成了最終版本。最初的草圖可追溯到 1817 年，當時的版本仍為三樂章，調性為降 D 大調；舒伯特可能直到去世前不久才完成了這首奏鳴曲。這首奏鳴曲於 1829 年在死後出版。降E大調奏鳴曲是舒伯特鮮為人知的鋼琴奏鳴曲之一。但它卻是一首迷人的抒情作品。這首奏鳴曲採用了許多細膩的陰影，避免了更大的戲劇性（所有樂章都以低沉的方式悄然結束），外樂章採用了搖擺流暢的三拍子。一個 "天堂般的長度"...舒伯特專家安德列婭-林德梅爾-布蘭德爾（Andrea Lindmayr-Brandl）撰寫的序言和詳細的評論部分提供了有關這部作品的起源、資料來源和不同讀法的大量資訊。該版本的另一大亮點是由著名舒伯特詮釋者馬丁-赫爾姆申（Martin Helmchen）指法"

作曲家: Schubert Franz
樂器: Piano
出版社: G. Henle Verlag
原文簡介:
In Schubert's cheerful E flat major Sonata, the listener is unaware that the composer struggled for a long time to arrive at its final version. Initial sketches date back to 1817, then still in a three-movement version and in the key of D flat major; Schubert probably only completed the sonata shortly before his death. It was published posthumously in 1829. The E flat Sonata is one of Schubert's lesser-known piano sonatas. But it is an enchantingly lyrical work. This is achieved by many fine shadings, the avoidanceof any greater drama (all the movements end quietly and in a subdued manner), and a rocking, flowing triple meter in the outer movements. A single “heavenly length” ... The Preface by Schubert expert Andrea Lindmayr-Brandl and the detailed Comments section provide extensive information on the work's genesis, the sources and variant readings. A further highlight of the edition is the fingering by the renowned Schubert interpreter Martin Helmchen.