Mini Maestro Band 1 50 little Piano Pieces 鋼琴小品 鋼琴獨奏 朔特版
三卷本的《迷你大師》以時間為序，介紹了從巴羅克、古典、浪漫和現代到爵士、流行和簡約音樂等五個世紀的小鋼琴曲，從非常簡單的水準逐步提高到中級水準。在每卷的末尾，在 "更多共同演奏的樂趣 "標題下，還有三首鋼琴二重奏樂曲。所有樂曲都簡單易學，曲目豐富多樣，是任何鋼琴教程的理想補充，適合音樂會演奏、教學、考試和比賽。第 1 冊包含不同音高的五指音域樂曲，其次是跨越八度音域的樂曲，節奏簡單，和絃簡單。此外，還包括不同風格的發音、左手旋律、八度或奧塔瓦記號、大小調和調號為升或降一的樂曲。第二冊包含音域擴展到兩個八度的樂曲，以及三聲部或四聲部（包括轉位）的和絃序列。其他內容還包括踏板的使用、簡單的裝飾音、基本複調、區分旋律和伴奏、大調和小調的樂曲，調號最多有兩個升號或降號。第三冊包含音域達四個八度、節奏和速度要求更高的樂曲。此外，還包括音色的微妙對比、有表情的演奏、單手演奏多個聲部，以及調號多達三個升或降的大小調高級複調
編者: Heumann, Hans-Guenter
樂器: piano
出版社: Schott Music
曲目:
Michael Praetorius (1571–1621): Old German Dance C major - Anonym (ca. 1600): Old German Dance G major - James Hook (1746–1827): Minuet C major - Alexander Reinagle (1756–1809): Allegro, Op. 1/4 - Charles Henry Wilton (1761–1832): Little Sonata C major; Moderato, Minuetto - Félix Le Couppey (1811–1887): Mélodie / Melody - Kaspar Jakob Bischoff (1823–1893): The Industrious Student - Friedrich Baumfelder (1836–1916): Melody F major - Oskar Bolck (1839–1888): Sonatina C major; Allegro, Andantino, Vivace - Moritz Wilhelm Vogel (1846–1922): Brave Knight - Kálmán Chován (1852–1928): Piano Piece G major - Erik Satie (1866–1925): Petit Prélude à la journée / Little Overture to the Day, Profiter de ce qu’il a des cors aux pieds pour lui prendre son cerceau / Taking advantage of someone else’s corns to steal his hoop - Béla Bartók (1881–1945): Folk Song - Georges Frank Humbert (1892–1958): The Cuckoo Clock; The Nodding Mandarin - Marko Tajcevic (1900–1984): For the Young; Piano Piece No. 1 - Henk Badings (1907–1987): Canon - Barbara Heller (*1936): Again and Again… - Hans-Günter Heumann (*1955): Clog Dance; Spanish Guitar Player; Harlequin Waltz; It’s Ragtime; Five-Note Rock; Little Pop Ballad; Northern Folk Dance; Boogie-Woogie Spirit - Henry Purcell (1659–1695): Air D minor - Georg Friedrich Telemann (1681–1767): Gavotte C major - Christoph Graupner (1683–1760): Bourée E minor - Jean-Philippe Rameau (1683–1764): Menuet en Rondeau C major - Leopold Mozart (1719–1787): Minuet D minor - Anonymous: Minuet F major - Daniel Gottlob Türk (1750–1813): The Lively Boy - Lullaby - Muzio Clementi (1752–1832): Arietta, Op. 42/5 - Anton Diabelli (1781–1858): Allegretto, Op. 125/3 - Charles Villiers Stanford (1852–1924): Scherzo F major - Alexander Gretchaninoff (1864–1956): Farewell, Op. 98/4 - Samuil Maikapar (1867–1938): A Fairy Tale, Op. 28/10 - Reverie, Op. 33/2 - Thomas Frederick Dunhill (1877–1946): Gavotte G Major - Béla Bartók (1881–1945): Quasi adagio - Carl Orff (1895–1982): Piano Study No. 6 - Friedrich Zehm (1923–2007): Melody - Hans-Günter Heumann (*1955): Tarantella D minor - Three four-handed Bonus pieces: - Anton Diabelli (1781–1858): Melodious Exercise, Op. 149/4 - Franz Schubert (1797–1828): Ländler, D 366/3 - Mátyás Seiber (1905–1960): Tango
The three-volume collection Mini Maestro presents little piano pieces advancing progressively from very easy to intermediate level, presented in chronological order across five centuries from the Baroque, Classical, Romantic and Modern eras through to jazz, pop and minimal music. At the end of each volume – under the heading More fun to play together – there are three additional pieces for piano duet. All the pieces are easy to learn and offer varied repertoire as an ideal supplement to any piano tutorial method with music suitable for concert performance, tuition purposes, examinations and competitions. Book 1 contains pieces in the five-finger range at various pitches, followed by pieces spanning an octave range with simple rhythms and easy chord sequences. Also featured are differing styles of articulation, melody in the left hand, octave or ottava signs, pieces in major and minor keys with key signatures of up to one sharp or flat. Book 2 contains pieces with an extended range of two octaves and chord sequences with three or four parts, including inversions. Other features include using the pedal, simple ornaments, basic polyphony, differentiating melody and accompaniment, pieces in major and minor keys with key signatures of up to two sharps or flats. Book 3 contains pieces with a range of up to four octaves with more demanding rhythms and speeds. Also included are subtle contrasts in tone, playing with expression, playing more than one part with one hand and advanced polyphony in major and minor keys with key signatures of up to three sharps or flats.