Concerto in C Minor Viola and Piano 巴赫約翰．克里斯提安 中提琴協奏曲

亨利-卡薩德斯（Henri Casadesus）對早期樂器情有獨鍾，我們從他與中提琴d'amore的大量照片中可以瞭解到這一點，中提琴d'amore是他撰寫的《Tecnique de la viole d'amour》手冊的主題。Ut mineur協奏曲》於 1947 年由 Mica Salabert 首次出版。第一版提供了所謂的中提琴獨奏 "原始 "部分以及樂譜，根據序言，樂譜由卡薩德斯改編為中提琴、大提琴或小提琴。然而，對這首曲子的風格分析以及在第一版問世後進行的一些音樂學研究表明，改編所依據的大提琴 "原版 "並不是約翰-克利斯蒂安-巴赫的作品，而是兩百年後模仿巴赫風格創作的作品。儘管如此，《Ut mineur協奏曲》還是獲得了相當大的成功，至今仍被小提琴家和大提琴家研究和演奏

作曲家: Bach Johann Christian
樂器: Viola;Piano Accompaniment
出版社: Salabert
原文簡介:
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d'amore, the subject of a manual he wrote entitled Tecnique de la viole d'amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original” part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original” version for violoncello, onwhich the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.