Piano Concerto No. 2 in G-minor Op. 22 Piano Reduction 聖桑斯 鋼琴協奏曲 雙鋼琴 亨乐版

鑒於聖桑作為鋼琴家和作曲家的天賦，他很早就開始接觸鋼琴協奏曲體裁是情理之中的事。但他明確放棄了當時在法國占主導地位的 "協奏曲輝煌"，而是宣稱 "協奏曲的獨奏部分必須像戲劇角色一樣來安排和處理"。他在這首創作於 1868 年的第二鋼琴協奏曲中實現了 "交響協奏曲 "的概念。獨奏部分在技術上極具挑戰性，同時又與樂隊緊密相連。約翰內斯-翁布賴特（Johannes Umbreit）負責根據作曲家自己的雙鋼琴版本進行鋼琴縮寫；巴斯卡-羅熱（Pascal Rogé）提供了獨奏部分的指法"

作曲家: Camille Saint-Saens
校訂者: Peter Jost
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Given Saint-Saëns' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role.” He realised this concept of a “symphonic concerto” in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Rogé supplies the fingerings for the solo part.