Piano Trios - Volume III Study Score 貝多芬 鋼琴三重奏 亨乐版

在古典時期，一直到 19 世紀，鋼琴三重奏都是一種音樂時尚。因此，貝多芬也有充分的理由效仿海頓和莫札特，創作這一體裁。他總共留下了 13 首鋼琴三重奏。第三卷收錄的作品幾乎都有一些特殊之處：例如，作品 44 也不是一首完整的三重奏，而只有一個變奏樂章！WoO 37 是貝多芬還在波恩時創作的，其配器（鋼琴、長笛和巴松管）非常引人注目。他為布倫塔諾家族的小女兒馬克西米利安寫了 WoO 39，"以鼓勵她的鋼琴演奏"。作品 38 是鋼琴、單簧管和大提琴七重奏作品 20 的改編曲，最後一首作品僅在貝多芬波恩時期的一本素描本中流傳下來。這些作品都沒有貝多芬主要鋼琴三重奏的分量，但它們仍然是貝多芬最高藝術成就的見證"

作曲家: Ludwig van Beethoven
校訂者: Friedhelm Klugmann
樂器: Cello; Piano; Violin; Piano Trio
出版社: G. Henle Verlag

曲目:
Beethoven: Trio for Piano, Violin and Violoncello B flat major WoO 39
Beethoven: Trio for Piano, Violin and Violoncello E flat major WoO 38
Beethoven: Trio G major WoO 37 (Piano, Flute and Bassoon) G major WoO 37
Beethoven: Trio E flat major op. 38 (Piano, Clarinet [Violin], Violoncello) E flat major op. 38
Beethoven: Trio E flat major Hess-Verz. 48
Beethoven: Trio E flat major op. 44

原文簡介:
In the Classical period, and well into the 19th century, piano trios were something of a musical fashion accessory. There was thus good reason for Beethoven also to engage with the genre, following the example set by Haydn and Mozart. He left 13 piano trios in all. The works contained in Volume III almost all present a few peculiarities: opus 44 is also not a complete trio, for instance, but consists of only one single variation movement! WoO 37, written while Beethoven was still in Bonn, is striking for its scoring (piano, flute and bassoon). He wrote WoO 39 for Maximiliane, youngest daughter of the Brentano family, “to encourage her piano playing.” Op. 38 is an arrangement of the Septet op. 20 for piano, clarinet and violoncello, and the last piece has come down to us only in one sketchbook from Beethoven's Bonn period. None of these works has the weight of Beethoven's major piano trios; nevertheless, they remain witnesses to his supreme artistry.