Passacaglia 魏德曼 鋼琴三重奏 朔特版

首鋼琴三重奏帕薩卡利亞是我的大提琴協奏曲《暗弦》（Dunkle Saiten）的 "初級 "伴奏曲目，或者更準確地說，是協奏曲中帶有 "Feierlich, schreitend"[莊嚴，大步流星]標誌的大型引子部分的 "初級 "伴奏曲目。大提琴協奏曲中不可避免的災難性結局，在這首作品中表面上基本沒有衝突。事實上，這也許是我最平和、最無衝突的作品之一；它由半小時幾乎完全是調性的進行構成。在這裡，"passacaglia"（踏步舞！）的字面意思是：踏步本身成為作品的主題。這也包括停頓、無法前進、摸索前進、跌跌撞撞和強迫性地向前邁步。雖然結構的和聲表面看起來很熟悉，但對我來說，音樂流程的自然適應在類似程度上是全新的。這是我完全借助和聲--即縱向--進行來製作線性調性帶（橫向）的嘗試

作曲家: Widmann Joerg
樂器: violin, cello and piano
出版社: Schott Music
原文簡介:
This Piano Trio Passacaglia is the “junior” companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto’s large-dimensional introductory section with the indication “Feierlich, schreitend” [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one’s way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic – i.e. vertical – progressions.- Jörg Widmann
難度: difficult