Intermezzo from Fennimore & Gerda 戴里厄斯 鋼琴三重奏 間奏曲

弗雷德里克-德柳斯（Frederick Delius，1862-1934 年）是英國作曲家。他在德國學習音樂，其音樂在德國首次獲得廣泛認可，之後他在法國開始了全職作曲家生涯。湯瑪斯-比徹姆（Thomas Beecham）是最早將他的音樂帶給英國聽眾的人之一。1918 年後，德利厄斯開始失明，但在助手埃裡克-芬比的幫助下，他於 1928 年至 1932 年間完成了一些晚期作品。1935年，我將德利烏斯的斯堪的納維亞歌劇《芬尼摩爾與葛妲》中的兩段間奏調整後編配成管弦樂，從而使這首曲子廣為人知。次年，湯瑪斯-比徹姆爵士錄製了這首曲子。長笛演奏家貝蒂-米爾斯（Betty Mills）建議將其改編為長笛、雙簧管和鋼琴曲，她的奧瑞爾三重奏於 1987 年 1 月 23 日在布拉德福德大學進行了首演，並收到了該曲的獻禮。第一段間奏反映了故事中人類的浪漫情懷。相比之下，第二段則營造出田園牧歌的氛圍。

作曲家: Delius Frederick
校訂者: Fenby, Eric
樂器: flute, oboe and piano
出版社: Emerson Edition
原文簡介:
Frederick Delius (1862 ' 1934) was an English composer. After studying music in Germany, where his music had its first significant acceptance, he embarked on a full-time career as a composer in France. Thomas Beecham was one of the first to bring his music to English audiences. After 1918 Delius began to lose his sight, but completed some late compositions between 1928 and 1932 with the aid of his amanuensis, Eric Fenby. 'This piece is well known through the orchestral arrangement I made in 1935 by linking two interludes with adjustments from Delius's Scandinavian opera, Fennimore and Gerda. The following year it was recorded by Sir Thomas Beecham. It was the flautist Betty Mills who suggested its transcription for flute, oboe and piano, and whose Oriel Trio gave the first performance at Bradford University on 23rd January 1987, and received its dedication. The first interlude reflects the human romantic feeling in the story. The second, by contrast, conjures up a mood of pastoral.