Curriculum vitae Nr. 14 Monumentum pro Ingeborg Bachmann 鋼琴三重奏 柏特-柏克版

曆紀念英格伯格-巴赫曼 "是海頓-艾森斯塔特三重奏於 2005 年為紀念奧地利重要詩人英格伯格-巴赫曼（1926-1973 年）誕辰 80 周年的 "巴赫曼音樂 "專案而創作的。簡歷》是對英格柏格-巴赫曼詩歌中所表達的生活和思想的某些方面的音樂反思。詩歌文本並未被譜成樂曲，但《長子之國》（Das erstgeborene Land）和《黑色圓舞曲》（Schwarzer Walzer）等個別詩篇被用作這部雙樂章作品的創作靈感來源。在三重奏的開頭，小提琴和大提琴引入了一個長達一分多鐘的 "盒 "狀段落，該段落與隨後鋼琴中的琶音一起，成為整首樂曲和聲與旋律發展的基礎，並多次以變化的形式重現。另一個萌芽細胞可追溯到一段音樂引文：英格伯格-巴赫曼（Ingeborg Bachmann）的遺作詩集片段以《我知道沒有比這更好的世界》（Ich weiß keine bessere Welt）為題出版，其中對瓦格納的《特裡斯坦與伊索爾德》（Tristan and Isolde）的明確暗示激發了對該歌劇第二樂章中段著名愛情二重唱（《溫和與柔軟》）的疏離回憶"

作曲家: Deutsch Bernd Richard
樂器: piano trio
出版社: Bote & Bock
原文簡介:
Curriculum vitae. Monumetum pro Ingeborg Bachmann was written in 2005 as a commission from the Haydn-Trio Eisenstadt for the project “Bachmann set to music” in honor of the 80th birthday of the important Austrian poet Ingeborg Bachmann (1926-1973). Curriculum vitae is a musical reflection on certain aspects of Ingeborg Bachmann’s life and thought as expressed in her poetry. The texts have not been set to music, but individual poems such as The firstborn country (Das erstgeborene Land) and Black Waltz (Schwarzer Walzer) have been used as a source of inspiration for the composition of this two movement work. At the beginning of the Trio, the violin and the cello introduce a hocket-like passage which lasts over one minute and that, together with the following arpeggio in the piano, is used as a basis for the harmonic and melodic development of the whole piece and returns several times in altered form. Another germ cell traces back to a musical quotation: Ingeborg Bachmann’s posthumous volume of poetry fragments, published under the title I know of no better world (Ich weiß keine bessere Welt ), in which unmistakable allusions to Wagner’s Tristan and Isolde inspired an alienated reminiscence of this opera’s famous love duet in the middle section of the second movement (Mild and soft).
難度: difficult