{"title":"鋼琴三重奏","description":"\u003ch1\u003e鋼琴三重奏樂譜\u003c\/h1\u003e","products":[{"product_id":"trio-for-piano-oboe-and-bassoon-0114025951","title":"Trio for Piano, Oboe and Bassoon 鋼琴三重奏","description":"\u003cp\u003e曼努埃爾-德-法拉\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFrancis Poulenc\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eBassoon; Oboe; Piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bosworth\"\u003eBosworth\u003c\/a\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eTRIO\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eA Manuel de Falla.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e48\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e184.275\u003cbr\u003e\u003cb\u003eEAN: \u003c\/b\u003e9788759803929\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088425067\u003cbr\u003e","brand":"Bosworth","offers":[{"title":"Default Title","offer_id":40203967529136,"sku":"14025951-wh19245","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14025951.jpg?v=1628345891"},{"product_id":"poczatek-0114041361","title":"Poczatek Piano Trio 鋼琴三重奏","description":"\u003cp\u003e5個樂章源自邁克爾-尼曼樂隊 2009 年初為電影\u003ci\u003ePoczatek\u003c\/i\u003e配樂的樂譜，選自波蘭 50、60 和 70 年代的經典故事片和紀錄片，由 20 個相連的一分鐘 \"單主題 \"影片組成\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eMichael Nyman\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/chester-music\"\u003eChester Music\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003e5 movements derived from the score for the Michael Nyman Band in early 2009 as a soundtrack to the film \u003ci\u003ePoczatek\u003c\/i\u003e using selected extracts from classic Polish feature and documentary films of the 50s, 60s and 70s organized into a sequence of 20 linked one minute “single theme” films.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e201.285\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088590963\u003cbr\u003e\u003c\/p\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":40204006555824,"sku":"14041361-ch77000","price":3060.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14041361.jpg?v=1628347549"},{"product_id":"1000-bars-0114041623","title":"1000 Bars Violin, Cello, and Piano Duet Score and Parts 小提琴 四手聯彈 鋼琴三重奏","description":"\u003cp\u003e長版。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eKevin Volans\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Violin; Piano Duet\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/chester-music\"\u003eChester Music\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLong version.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680055868\u003cbr\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":40204009996464,"sku":"14041623-ch78496","price":2380.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14041623.jpg?v=1628348287"},{"product_id":"light-and-matter-0114043571","title":"Light and Matter for Violin, Violoncello, and Piano 大提琴 鋼琴 鋼琴三重奏","description":"\u003cp\u003e\u003ci\u003e《光與物質》\u003c\/i\u003e由美國國會圖書館、布裡頓小交響樂團、諾爾博滕NEO和愛奧利安室內樂團共同委託創作，以紀念鮑登國際音樂節50周年。該作品由芬蘭作曲家凱亞-薩莉亞霍於 2014 年創作，為小提琴、大提琴和鋼琴而作\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eKaija Saariaho\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/chester-music\"\u003eChester Music\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eLight And Matter\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eLight and Matter\u003c\/i\u003e was jointly commissioned by the Library of Congress, Britten Sinfonia, Norrbotten NEO and the Aeolian Chamber Players in honour of the 50th anniversary of the Bowdoin International Music Festival. Composed in 2014 by Finnish composer Kaija Saariaho, the piece is for violin, cello and piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e260.82\u003cbr\u003e\u003cb\u003eEAN: \u003c\/b\u003e9781783056378\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680096984\u003cbr\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":40204031918256,"sku":"14043571-ch82533","price":2200.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14043571.jpg?v=1628350684"},{"product_id":"o-viridissima-0114047803","title":"O Viridissima for Violin, Cello, Piano 小提琴鋼琴 鋼琴三重奏","description":"\u003cp\u003e為晚期音樂系列音樂會創作的禮物，2015 年由奧爾巴尼三重奏在約克的聖薩維奧蓋特一神論教堂首演\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eJudith Weir\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/chester-music\"\u003eChester Music\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eO Viridissima\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWritten as a gift for the Late Music Concert Series, premiered in 2015 by the Albany Trio at St. Saviourgate Unitarian Chapel in York.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e87.885\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680642846\u003cbr\u003e","brand":"Chester Music","offers":[{"title":"Default Title","offer_id":40204040143024,"sku":"14047803-ch83919","price":780.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14047803.jpg?v=1628349964"},{"product_id":"aria-for-flute-or-oboe-clarinet-and-piano-0148180527","title":"Aria for Flute (or Oboe), Clarinet and Piano 伊貝爾 詠唱調長笛雙簧管 鋼琴 詠嘆調 鋼琴三重奏","description":"\u003cp\u003e雅克-伊伯特（Jacques Ibert，1890-1962 年）曾就讀於巴黎音樂學院，之後開始了成功的作曲生涯。作曲家為多種樂器創作，其作品至今仍廣為流傳，\u003ci\u003e長笛（或雙簧管）、單簧管和鋼琴詠歎調\u003c\/i\u003e也不例外。\u003ci\u003e詠歎調\u003c\/i\u003e創作於 1927 年，1930 年進行了修訂，適合高級木管樂器演奏者演奏。伊伯特是一位獨特的作曲家，他並不將自己與任何特定風格聯繫在一起。他的音樂通常輕鬆愉快，經常反映出作曲家的機智和幽默。伊伯特的木管二重奏\u003ci\u003e詠歎調\u003c\/i\u003e包含多種音樂方面和技巧，節奏感很強，是高級長笛、雙簧管和單簧管曲目中令人興奮的新曲目\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eJacques Ibert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eClarinet; Flute; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/alphonse-leduc\"\u003eAlphonse Leduc\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eAria\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day, \u003ci\u003eAria for Flute (or Oboe), Clarinet and Piano\u003c\/i\u003e being no exception. Composed in 1927 and revised in 1930, \u003ci\u003eAria\u003c\/i\u003e is suitable for advanced level woodwind players. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted, often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques, and being significantly very rhythmic, Ibert's woodwind duet, \u003ci\u003eAria\u003c\/i\u003e is an exciting addition to the advanced flute, oboe and clarinet repertoire.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e10\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e68.04\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680795986\u003cbr\u003e","brand":"Alphonse Leduc","offers":[{"title":"Default Title","offer_id":40204087001264,"sku":"48180527-al18038","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/48180527.jpg?v=1628356381"},{"product_id":"suite-op-157b-0150412170","title":"Suite Op. 157b Score and Parts 米堯 組曲 鋼琴三重奏","description":"\u003cp\u003e為單簧管、小提琴和鋼琴而作\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eDarius Milhaud\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eClarinet; Piano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/salabert\"\u003eEditions Salabert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFor Clarinet, Violin and Piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e24\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e184.275\u003cbr\u003e\u003cb\u003eEAN: \u003c\/b\u003e9781480304581\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e73999136302\u003cbr\u003e\u003c\/p\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":40204458754224,"sku":"50412170-slb1314","price":1300.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50412170.jpg?v=1628378867"},{"product_id":"romance-op-37-0150561625","title":"Romance, Op. 37 Flute (or Violin) and Piano 聖桑斯 浪漫曲 長笛小提琴 鋼琴 鋼琴三重奏","description":"\u003cp\u003e這首曲子是聖桑在普法戰爭後逃往倫敦期間創作的，1872 年由長笛演奏家保羅-塔法內爾在作曲家的伴奏下首演\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%81%96%E6%A1%91%E6%96%AF\"\u003eCamille Saint-Saëns\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eFlute; Piano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/durand\"\u003eEditions Durand\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThis piece was composed during Saint-Säens's flight to London after the Franco-Prussian War, and was premiered in 1872 by flutist Paul Taffanel accompanied by the composer.\u003cbr\u003e\u003cbr\u003e“The piece is genial, short and sweet with a lovely flowing piano accompaniment. It has a few brilliant, dramatic cadenza moments, but for the most part is melody and accompaniment.” –\u003ci\u003eFlute Talk\u003c\/i\u003e\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e12\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e70.875\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e73999324778\u003cbr\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":40204585795760,"sku":"50561625-df1953","price":530.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50561625.jpg?v=1628384513"},{"product_id":"d-un-matin-de-printemps-0150564852","title":"D'un Matin De Printemps Piano Trio Score and Parts 布朗惹莉莉 鋼琴三重奏","description":"\u003cp\u003e莉莉-布朗熱（1893-1918 年）是法國作曲家，著名作曲家納迪婭-布朗熱的妹妹。這首可愛的印象派三重奏在此首次出版\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eLili Boulanger\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/durand\"\u003eEditions Durand\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLili Boulanger (1893-1918) was a French composer, the younger sister of noted composition teacher Nadia Boulanger. This lovely, impressionistic trio is published here for the first time.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e22\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e141.75\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088207779\u003cbr\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":40204627476656,"sku":"50564852-df15698","price":1140.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50564852.jpg?v=1628385490"},{"product_id":"d-un-soir-triste-0150564853","title":"D'un soir triste Piano Trio Score and Parts 布朗惹莉莉 鋼琴三重奏","description":"\u003cp\u003e莉莉-布朗熱（1893-1918 年）是法國作曲家，著名作曲家納迪婭-布朗熱的妹妹。這首可愛的印象派三重奏在此首次出版\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eLili Boulanger\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/durand\"\u003eEditions Durand\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLili Boulanger (1893-1918) was a French composer, the younger sister of noted composition teacher Nadia Boulanger. This lovely, impressionistic trio is published here for the first time.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e20\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e133.245\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088207762\u003cbr\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":40204628066480,"sku":"50564853-df15697","price":1140.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50564853.jpg?v=1628385593"},{"product_id":"trio-for-piano-violin-and-cello-0150565854","title":"Trio for Piano, Violin and Cello Extracted from the Critical Edition 德布西 三重奏 小提琴 大提琴 鋼琴三重奏","description":"\u003cp\u003e這首三重奏的評論版節選自《克勞德-德布西作品全集》第三輯第一卷。德彪西的鋼琴三重奏是他現存的第二部器樂作品，創作於 1880 年夏末，當時作曲家剛滿 18 歲。長期以來，人們一直認為這首三重奏僅存于其開頭樂章的親筆簽名樂譜中，另外還有一個大提琴部分，顯示了另外三個樂章。20 世紀 80 年代初，音樂學家埃爾伍德-德爾（Ellwood Derr）在密西根大學音樂圖書館（安娜堡）發現了德彪西其餘三個樂章的樂譜，這是法國鋼琴家莫里斯-杜梅尼（Maurice Dumesnil）遺贈的音樂雜錄之一。Dumesnil 於 1932 年從德彪西的遺孀艾瑪那裡獲得了這份手稿。德彪西的《三重奏》是他的第一部重要作品，展現了一位元年輕音樂家驚人的膽識和成就，在鋼琴演奏上顯然遊刃有餘\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eClaude Debussy\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eEdmond Lemaître\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/durand\"\u003eDurand\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThis critical edition of the Trio is an excerpt from the COMPLETE WORKS OF CLAUDE DEBUSSY, Series III, volume 1. Debussy's Piano Trio, his second surviving instrumental work, dates from late summer 1880, just as the composer was turning eighteen. The Trio was long thought to have survived only in an autograph score of its opening movement, plus a cello part showing three more movements. In the early 1980s the musicologist Ellwood Derr discovered Debussy's score of those remaining three movements in the University of Michigan music library (Ann Arbor), among a bequest of musical miscellanea from the French pianist Maurice Dumesnil. Dumesnil had acquired the manuscript in 1932 from Debussy's widow Emma. Debussy's Trio, his first major work, shows an astonishingly bold and accomplished young musician with evident ease at the piano.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e413.91\u003cbr\u003e\u003cb\u003eEAN: \u003c\/b\u003e9781495089817\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680670474\u003cbr\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":40204643008688,"sku":"50565854-dd16356","price":1940.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50565854.jpg?v=1628387992"},{"product_id":"romance-op-37-0150565862","title":"Romance Op. 37 for Flute or Violin and Piano Accompaniment 聖桑斯 浪漫曲 長笛小提琴 伴奏 鋼琴三重奏","description":"\u003cp\u003e聖桑於 1871 年 3 月 25 日完成了《降 D 大調浪漫曲》。如果說聖桑在他的獨奏樂器和管弦樂隊協奏曲中擺脫了維也納古典模式的束縛（以獨創性對其進行了重新配置，但當然也借鑒了舒曼的形式實驗和比德邁的精湛技藝），那麼在《浪漫曲》作品 37 和其他類似形式的作品（作品 27、36 和 48）中，他則採用了浪漫主義風格、 在浪漫曲作品 37 和其他類似形式的作品（作品 27、36 和 48）中，他採用了浪漫主義的三元抒情形式（A-B-A）--特別是舒曼的《Stücke》和孟德爾松的《無詞抒情曲》的形式--並超越了各自獨奏樂器的習慣用法，現在可以自由互換（在作品 37 中為長笛或小提琴），從而使樂曲的使用範圍更廣，並強調了其康塔貝性。\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%81%96%E6%A1%91%E6%96%AF\"\u003eCamille Saint-Saens\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eFlute; Violin; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/durand\"\u003eDurand\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eSaint-Saëns completed the Romance in D Flat Major on 25 March 1871. If in his concertos for solo instrument and orchestra Saint-Saëns freed himself from the Viennese classical model (reconfiguring it with originality but in the light, certainly, of the formal experimentations of Schumann and of Biedermeier virtuosity), in the Romance opus 37 and other works of similar form (opus 27, 36 and 48) he adopted the Romantic ternary Liedform (A-B-A) – in particular that of Schumann's Stücke and Mendelssohn's Lieder ohne Worte – and transcended the idiomaticity of the respective solo instruments, now interchangeable ad libitum (flute or violin, in the case of opus 37), thereby making the pieces more widely usable and emphasizing their cantabile quality.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e16\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e141.75\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680704421\u003cbr\u003e\u003c\/p\u003e","brand":"Durand","offers":[{"title":"Default Title","offer_id":40204643434672,"sku":"50565862-df16365","price":720.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/50565862.jpg?v=1628388478"},{"product_id":"trio-op-8-for-piano-violin-and-cello-01132298","title":"Trio Op. 8 for Piano, Violin and Cello Chopin National Edition 24A, Vol. XVII 蕭邦 小提琴 大提琴 鋼琴三重奏 波蘭版","description":"\u003cp\u003e本卷包含小提琴、中提琴和大提琴部分\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%95%AD%E9%82%A6\"\u003eFrédéric Chopin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eJan Ekier\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/pwm-edition\"\u003ePWM Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThis volume contains parts for violin, viola and cello.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe National Edition of the Works of Fryderyk Chopin\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePublished by PWM\u003cbr\u003e\u003cbr\u003eExclusively Distributed by Hal Leonard Corporation\u003cbr\u003e\u003cbr\u003eCo-Editors\u003cbr\u003e\u003cbr\u003eJan Ekier and Pawel Kaminski\u003cbr\u003e\u003cbr\u003eThe objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology.\u003cbr\u003e\u003cbr\u003eThe National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort.\u003cbr\u003e\u003cbr\u003eThe characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the \u003cb\u003eSource Commentary\u003c\/b\u003e in each volume.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePerformance Commentary\u003c\/b\u003e appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the “harmonic legato” (a performance technique often used by Chopin and now forgotten).\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/serwer1374796.home.pl\/wp-content\/uploads\/2013\/05\/o_wydaniu_narodowym.pdf\" target=\"_blank\"\u003eAbout the National Edition\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/serwer1374796.home.pl\/wp-content\/uploads\/2013\/05\/introduction_to_NE.pdf\" target=\"_blank\"\u003eFull Introduction to the Polish National Edition of the Works of Fryderyk Chopin\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e106\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e388.395\u003cbr\u003e\u003cb\u003eEAN: \u003c\/b\u003e9781480390881\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088971328\u003cbr\u003e\u003c\/p\u003e","brand":"PWM Edition","offers":[{"title":"Default Title","offer_id":40204669878448,"sku":"132298-51600029","price":1680.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/00132298.jpg?v=1628393777"},{"product_id":"in-the-old-style-pieces-for-double-bass-cello-and-piano-01215231","title":"In the Old Style - Pieces for Double Bass (Cello) and Piano [W dawnym stylu - Utwory na kontrabas (wioleonczele) i fortepiano] 大提琴 鋼琴 小品 鋼琴三重奏 波蘭版","description":"\u003cp\u003e為初學鋼琴的學生準備的曲目集，通過學習奏鳴曲、協奏曲和迴旋曲的風格，注重技巧和音樂敏感性\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eRyszard Kusek\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Double Bass; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/pwm-edition\"\u003ePWM Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eA collection of pieces for beginning students, focusing on technique and musical sensitivity by studying the styles of sonatas, concertos and scherzos.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e56\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e240.975\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680668068\u003cbr\u003e\u003c\/p\u003e","brand":"PWM Edition","offers":[{"title":"Default Title","offer_id":40204736102576,"sku":"215231-11691010","price":820.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/00215231.jpg?v=1628396772"},{"product_id":"spectred-light-0114043121","title":"Spectred Light 鋼琴三重奏","description":"\u003cp\u003e為長笛（雙短笛）、降 B 調單簧管和鋼琴（雙懸掛金屬風鈴）而作，樂譜和零件。\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003ePaul Mealor\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eClarinet; Flute; Piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/novello\"\u003eNovello\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFor flute (dbl piccolo), clarinet in B-flat and piano (dbl suspended metal wind chimes.) Score and parts.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e204.12\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680026660\u003cbr\u003e\u003c\/p\u003e","brand":"Novello","offers":[{"title":"Default Title","offer_id":40204863111344,"sku":"14043121-nov293260","price":1460.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/14043121.jpg?v=1654211153"},{"product_id":"piano-trios-volume-i-0151480024","title":"Piano Trios - Volume I National Federation of Music Clubs 2014-2016 Selection 貝多芬 鋼琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時代，一直到 19 世紀，鋼琴三重奏都是我們所謂的 \"時尚配件\"。因此，貝多芬追隨海頓和莫札特的腳步，創作了這一體裁的 13 首鋼琴三重奏，絕非偶然。第二卷收錄了兩首鋼琴三重奏作品 70 和三重奏作品 97，以及變奏曲。以及歌曲 \"Ich bin der Schneider Kakadu \"變奏曲作品 121a。121a. 鋼琴三重奏作品 70 之 1 的綽號 \"幽靈三重奏\"（Geistertrio），與其他三重奏作品一樣，源於他的音樂風格。70之1 \"三重奏的綽號 \"幽靈三重奏\"（Geistertrio）一如既往，並非來自貝多芬，而是因為慢板中詭異而神秘的音色\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGünter Raphael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Trio c minor op. 1,3\u003cbr\u003e Beethoven: Trio G major op. 1,2\u003cbr\u003e Beethoven: Trio E flat major op. 1,1\u003cbr\u003e Beethoven: Trio B flat major op. 11 (Piano, Clarinet [Violin], Violoncello) B flat major op. 11\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.\u003cbr\u003e\u003cbr\u003eThis first volume contains the three Piano Trios op. 1, the very first works of all which Beethoven deemed publishable and deserving of an opus number. This was followed by the Trio op. 11 for clarinet or violin, cello and piano (“Gassenhauer”). Beethoven drew a great deal of attention to himself when he presented the three Trios op. 1 to the public (including Joseph Haydn) probably in August 1795, at a soirée given by Prince Lichnowsky. They have remained precious exemplars of their genre to this day.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e224\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e881.685\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172343\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204892405936,"sku":"51480024-hn24","price":2950.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480024.jpg?v=1654240524"},{"product_id":"piano-trios-volume-ii-0151480026","title":"Piano Trios - Volume II National Federation of Music Clubs 2014-2016 Selection 貝多芬 鋼琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時代，一直到 19 世紀，鋼琴三重奏都是我們所謂的 \"時尚配件\"。因此，貝多芬追隨海頓和莫札特的腳步，創作了這一體裁的 13 首鋼琴三重奏，絕非偶然。第二卷收錄了兩首鋼琴三重奏作品 70 和三重奏作品 97，以及變奏曲。以及歌曲 \"Ich bin der Schneider Kakadu \"變奏曲作品 121a。121a. 鋼琴三重奏作品 70 之 1 的綽號 \"幽靈三重奏\"（Geistertrio），與其他三重奏作品一樣，源於他的音樂風格。70之1 \"三重奏的綽號 \"幽靈三重奏\"（Geistertrio）一如既往，並非來自貝多芬，而是因為慢板中詭異而神秘的音色\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eGünter Raphael\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Trio B flat major op. 97\u003cbr\u003e Beethoven: Trio E flat major op. 70,2\u003cbr\u003e Beethoven: Trio [Variations on the Song 'Ich bin der Schneider Kakadu'] G major op. 121a\u003cbr\u003e Beethoven: Trio [Ghost-Trio] D major op. 70,1\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories.” It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own.\u003cbr\u003e\u003cbr\u003eThis second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicatee Archduke Rudolph and is undisputedly Beethoven's most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810\/11, it was not published until 1816.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e236\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e921.375\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088172350\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204892897456,"sku":"51480026-hn26","price":3150.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480026.jpg?v=1654242203"},{"product_id":"trio-in-e-flat-major-k-498-kegelstatt-0151480063","title":"Trio in E-flat Major K. 498 (Kegelstatt) Revised Edition Piano, Clarinet (Violin) and Viola Score and Parts 莫札特 三重奏 鋼琴小提琴 中提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e這首創作精巧的作品真的是在一場九針遊戲中寫成的嗎？雖然沒有可靠的來源，但這一傳說一直存在。無論如何，這首曲子在樂器配置上的不同尋常值得注意：用單簧管代替小提琴在鋼琴三重奏中司空見慣，但莫札特卻用中提琴代替了大提琴，他自己也承認這是他最喜歡的樂器。因此，中提琴的作用比大提琴通常的作用要大得多。我們對這首充滿活力的作品的單行本選自《鋼琴三重奏全集》（HN 247），該全集經過修訂，收錄了最新的學術研究成果\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eClarinet; Piano; Viola\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWas this skilfully composed work really written during a game of ninepins? The legend persists, although there is no reliable source. At all events the unusual instrumentation is of note: having a clarinet instead of the violin was by all means usual in piano trios; but in addition Mozart replaced the cello with a viola, his favourite instrument by his own admission. As a result the viola has a much stronger part than the cello usually has. Our single edition of this buoyant work was taken from the volume containing the complete piano trios (HN 247) which was revised and includes the latest scholarly findings.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e52\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e218.295\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088393991\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204899614896,"sku":"51480063-hn63","price":1050.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480063.jpg?v=1654245089"},{"product_id":"piano-trios-0151480193","title":"Piano Trios 舒伯特 鋼琴三重奏 亨乐版","description":"\u003cp\u003e將舒伯特的兩首鋼琴三重奏歸入其最佳作品之列，絲毫不用猶豫。這兩首鋼琴三重奏都寫於 1827 年，也就是作曲家逝世前一年，是作曲家成熟期作品的典型代表：充滿了幸福的旋律，同時具有強大的感染力和深邃的表現力。舒伯特將降 E 大調三重奏作品 100 D 929 賣給了萊比錫音樂學院。100 D 929 賣給了萊比錫的出版商普羅普斯特（但這首曲子在舒伯特去世後才面世），而降 B 大調三重奏作品 99 D 898 則沒有賣給萊比錫的出版商。降 B 大調三重奏作品 99 D 898 在舒伯特生前並未出版。附錄中再現的降 E 大調 Adagio 作品 148 D 897 被稱為 \"Notturno\"，很可能最初計畫作為降 B 大調三重奏的慢板樂章。這首曲子直到 1846 年才出版；在本卷的附錄中可以找到舒伯特在這一體裁上的首次嘗試，這是他在 15 歲時於 1812 年夏天寫的\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E4%BC%AF%E7%89%B9\"\u003eFranz Schubert\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eEva Badura-Skoda\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eSchubert: Trio B flat major op. 99 D 898\u003cbr\u003e Schubert: Trio E flat major op. 100 D 929\u003cbr\u003e Schubert: Sonata movement B flat major D 28\u003cbr\u003e Schubert: Adagio E flat major op. post. 148 D 897\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eOne needn't hesitate a second in assigning Schubert's two piano trios to his best works. Both were written no later than 1827, hence one year before the composer's death, and are typical of the works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert's death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert's lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was most likely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication.It was not published until 1846; in the Appendix of this volume one will find Schubert's first attempt in this genre, which he wrote at the age of 15 in Summer 1812.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e162\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e929.88\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088173944\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204942311600,"sku":"hn193","price":3100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480193.jpg?v=1654259009"},{"product_id":"piano-trios-volume-iii-0151480200","title":"Piano Trios - Volume III 貝多芬 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時期，一直到 19 世紀，鋼琴三重奏都是一種音樂時尚。因此，貝多芬也有充分的理由效仿海頓和莫札特，創作這一體裁。他總共留下了 13 首鋼琴三重奏。第三卷收錄的作品幾乎都有一些特殊之處：例如，作品 44 也不是一首完整的三重奏，而只有一個變奏樂章！WoO 37 是貝多芬還在波恩時創作的，其配器（鋼琴、長笛和巴松管）非常引人注目。他為布倫塔諾家族的小女兒馬克西米利安寫了 WoO 39，\"以鼓勵她的鋼琴演奏\"。作品 38 是鋼琴、單簧管和大提琴七重奏作品 20 的改編曲，最後一首作品僅在貝多芬波恩時期的一本素描本中流傳下來。這些作品都沒有貝多芬主要鋼琴三重奏的分量，但它們仍然是貝多芬最高藝術成就的見證\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFriedhelm Klugmann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Trio for Piano, Violin and Violoncello B flat major WoO 39\u003cbr\u003e Beethoven: Trio for Piano, Violin and Violoncello E flat major WoO 38\u003cbr\u003e Beethoven: Trio G major WoO 37 (Piano, Flute and Bassoon) G major WoO 37\u003cbr\u003e Beethoven: Trio E flat major op. 38 (Piano, Clarinet [Violin], Violoncello) E flat major op. 38\u003cbr\u003e Beethoven: Trio E flat major Hess-Verz. 48\u003cbr\u003e Beethoven: Trio E flat major op. 44\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the Classical period, and well into the 19th century, piano trios were something of a musical fashion accessory. There was thus good reason for Beethoven also to engage with the genre, following the example set by Haydn and Mozart. He left 13 piano trios in all. The works contained in Volume III almost all present a few peculiarities: opus 44 is also not a complete trio, for instance, but consists of only one single variation movement! WoO 37, written while Beethoven was still in Bonn, is striking for its scoring (piano, flute and bassoon). He wrote WoO39 for Maximiliane, youngest daughter of the Brentano family, “to encourage her piano playing.” Op. 38 is an arrangement of the Septet op. 20 for piano, clarinet and violoncello, and the last piece has come down to us only in one sketchbook from Beethoven's Bonn period. None of these works has the weight of Beethoven's major piano trios; nevertheless, they remain witnesses to his supreme artistry.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e214\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e802.305\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174019\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204945490096,"sku":"51480200-hn200","price":3100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480200.jpg?v=1654262123"},{"product_id":"piano-trios-0151480245","title":"Piano Trios National Federation of Music Clubs 2014-2016 Selection 布拉姆斯 鋼琴三重奏 亨乐版","description":"\u003cp\u003e鋼琴三重奏屬於古典室內樂的偉大體裁之一，勃拉姆斯也很早就開始關注這一體裁。他在 1853\/54 年秋冬，也就是 20 歲時創作了作品 8。另外兩首鋼琴三重奏分別創作於 28 年後和 32 年後，即作品 87（C 大調）和作品 87（C 小調）。作品 87（C 大調）和作品 101（c 小調）。在創作 C 大調三重奏的同時，勃拉姆斯還在創作另一首降 E 大調三重奏，但似乎已被銷毀。1889 年，他重新創作了第一首鋼琴三重奏，並對其進行了徹底修改，以至於他在給克拉拉-舒曼的信中寫道：\"我重新寫了我的 B 大調三重奏\"。Henle Urtext 版再現了三重奏作品 8 的第二個版本（1891 年出版）。8）的第二版，然後在附錄中重印了第一版\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBrahms: Appendix: Trio B major op. 8 (early version)\u003cbr\u003e Brahms: Trio c minor op. 101\u003cbr\u003e Brahms: Trio C major op. 87\u003cbr\u003e Brahms: Trio B major op. 8 (final version)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003ePiano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853\/54, thus at the age of 20. The two other piano trios were created 28 years later, namely op. 87 in C major, and 32 years later, op. 101 in c minor. Brahms was working on another Trio, in E flat major, at the same time that he was working on the C major Trio; however, it seems to have been destroyed. He returned to his first piano trio in 1889 and revised it so thoroughly that he wrote to Clara Schumann: “I have re-written my B major trio.” The Henle Urtext edition reproduces the second version of the Trio op. 8 (published in 1891) first, then follows this up with a reprint of the first version in its Appendix.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e218\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1199.205\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174439\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204960596144,"sku":"51480245-hn245","price":3700.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480245.jpg?v=1654273043"},{"product_id":"piano-trios-volume-i-0151480246","title":"Piano Trios - Volume I National Federation of Music Clubs 2014-2016 Selection for piano, violin and cello 鋼琴 小提琴 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時期，一直到 19 世紀，鋼琴三重奏幾乎都是 \"時尚配件\"。在生命的最後時刻，海頓可以自豪地回顧他留給後人的 39 首鋼琴三重奏。第一卷收錄了 11 首早期的三重奏，其中一些可追溯到 17 世紀 60 年代，但仍然是一個統一的組。由於大提琴聲部（在資料中總是被鬆散地稱為 \"低音\"）大多與低音聲部一致，這些樂曲也可以由鋼琴和小提琴單獨演奏，因此是對小提琴與鋼琴二重奏體裁的寶貴豐富\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFranz Joseph Haydn\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolfgang Stockmeier\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eHaydn: Trio f minor Hob. XV:f1\u003cbr\u003e Haydn: Trio C major Hob. XV:C1\u003cbr\u003e Haydn: Trio G major Hob. XV:41\u003cbr\u003e Haydn: Trio F major Hob. XV:40\u003cbr\u003e Haydn: Trio B flat major Hob. XV:38\u003cbr\u003e Haydn: Trio F major Hob. XV:37\u003cbr\u003e Haydn: Trio E flat major Hob. XV:36\u003cbr\u003e Haydn: Trio A major Hob. XV:35\u003cbr\u003e Haydn: Trio F major Hob. XV:2\u003cbr\u003e Haydn: Trio g minor Hob. XV:1\u003cbr\u003e Haydn: Trio E major Hob. XV:34\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the Classical period, and well into the 19th century, piano trios were almost “fashion accessories.” At the end of his life, Haydn could look back proudly at the 39 piano trios which he now left to posterity. Volume I contains the eleven early trios; some of them date from as far back as the 1760s, yet still form a unified group. Since the cello part, always loosely designated as “basso” in the source, mostly tallies with the bass part, the pieces can also be performed by piano and violin alone, and are thus a valuable enrichment of the violin and piano duet genre.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e162\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e927.045\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174446\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204960858288,"sku":"51480246-hn246","price":3480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480246.jpg?v=1654273073"},{"product_id":"piano-trios-0151480247","title":"Piano Trios 莫札特 鋼琴三重奏 亨乐版","description":"\u003cp\u003e莫札特的鋼琴三重奏多年來一直由 Henle 出版。現在，編者對其進行了大量修訂，並納入了最新的音樂學研究成果。特別是克拉科夫雅蓋隆大學圖書館收藏的親筆樂譜，這些樂譜多年來一直無法查閱，它們構成了此次修訂的基礎，並附有大量評注。值此新版問世之際，Henle 很榮幸地首次推出鋼琴三重奏的研究版\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Divertimento B flat major KV 254\u003cbr\u003e Mozart: Trio G major KV 496\u003cbr\u003e Mozart: Trio E major KV 542\u003cbr\u003e Mozart: Trio C major KV 548\u003cbr\u003e Mozart: Trio G major KV 564\u003cbr\u003e Mozart: Trio E flat major K. 498 (Piano, Clarinet or Violin, Viola)\u003cbr\u003e Mozart: Trio B flat major KV 502\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eMozart's piano trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. In particular, the autograph scores from the Library of the Jagiellonian University of Cracow, which were not accessible for many years, form the basis of this revision with its extensive commentary. On the occasion of this new edition, Henle is proud to present a study edition of the piano trios for the first time.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e284\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1080.135\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174453\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204961415344,"sku":"51480247-hn247","price":2600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480247.jpg?v=1654266931"},{"product_id":"flute-sonatas-volume-1-0151480269","title":"Flute Sonatas - Volume 1 The Four Authentic Sonatas - with Violoncello Part 巴赫‧約翰瑟巴斯提安 長笛 大提琴 奏鳴曲 亨乐版","description":"\u003cp\u003e內容包括 E 小調長笛與連奏奏鳴曲，BWV 1034 - E 大調長笛與連奏奏鳴曲，BWV 1035 - B 小調長笛與伴奏鋼琴（Cembalo）奏鳴曲，BWV 1030 - A 大調長笛與伴奏鋼琴（Cembalo）奏鳴曲，BWV 1032\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eHans Eppstein\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Flute; Keyboard\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eContents include: Sonata for Flute and Continuo in E minor, BWV 1034 • Sonata for Flute and Continuo in E Major, BWV 1035 • Sonata for Flute and obbligato Piano (Cembalo) in B minor, BWV 1030 • Sonata for Flute and obbligato Piano (Cembalo) in A Major, BWV 1032.\u003cbr\u003e\u003cbr\u003eThe four Bach flute sonatas presented in this volume offer a genuine variety both in style and transmission. The first two are thoroughbass sonatas conceived for flute, string bass and harpsichord. Their time of origin is uncertain and might even date back to Bach's Köthen period. In the transmitted version with obbligato harpsichord, the sonatas in b minor and A major BWV 1030 and 1032 are most probably arrrangements of earlier, no longer surviving works.\u003cbr\u003e\u003cbr\u003eThe compositional interweaving of the sonatas for flute and harpsichord reaches its apogee in the contemplative B minor sonata, which is a masterpiece of the flute repertoire. By contrast, the A major sonata is captivating for its brilliant joyfulness and radiant color.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e104\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e515.97\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174651\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204964757680,"sku":"51480269-hn269","price":1450.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480269.jpg?v=1654274009"},{"product_id":"piano-trios-volume-ii-0151480277","title":"Piano Trios - Volume II for piano, violin, and cello 鋼琴 小提琴 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e在古典時期，一直到 19 世紀，鋼琴三重奏幾乎都是 \"時尚配件\"。在生命的最後時刻，海頓可以自豪地回顧他留給後人的 39 首鋼琴三重奏。第二卷收錄了鋼琴三重奏 Hob. XV:5-14，創作於 1784 年至 1790 年之間。在這一時期，海頓逐漸適應了 \"錘琴\"，這一點從這些作品的鋼琴寫作風格中可以明顯看出。所有十首三重奏都見證了海頓的精湛技藝；它們是家庭音樂，但卻具有真正的崇高風格，而且由於它們的輝煌和多樣性，在音樂廳中也能完美自如地演奏\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFranz Joseph Haydn\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolfgang Stockmeier\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eHaydn: Trio E flat major Hob. XV:10\u003cbr\u003e Haydn: Trio A flat major Hob. XV:14\u003cbr\u003e Haydn: Trio c minor Hob. XV:13\u003cbr\u003e Haydn: Trio e minor Hob. XV:12\u003cbr\u003e Haydn: Trio A major Hob. XV:9\u003cbr\u003e Haydn: Trio G major Hob. XV:5\u003cbr\u003e Haydn: Trio F major Hob. XV:6\u003cbr\u003e Haydn: Trio E flat major Hob. XV:11\u003cbr\u003e Haydn: Trio D major Hob. XV:7\u003cbr\u003e Haydn: Trio B flat major Hob. XV:8\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn the Classical period, and well into the 19th century, piano trios were almost “fashion accessories.” At the end of his life, Haydn could look back proudly at the 39 piano trios which he now left to posterity. Volume II contains the Piano Trios Hob. XV:5-14, which were written between 1784 and 1790. This is the period when Haydn was gradually becoming more comfortable with the “Hammerklavier,” this clearly emerges from the style of piano writing in these pieces. All ten trios bear witness to Haydn's mastery; they are music for the home, but of a genuinely lofty style and, thanks to their brilliance and variety, perfectly at home in the concert hall as well.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e292\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1139.67\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174736\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204965642416,"sku":"51480277-hn277","price":4100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480277.jpg?v=1654274867"},{"product_id":"piano-trios-volume-iii-flute-trios-0151480284","title":"Piano Trios - Volume III: Flute Trios 鋼琴 長笛 三重奏 鋼琴三重奏 亨乐版","description":"\u003cp\u003e為鋼琴、長笛（或小提琴）和大提琴而作\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFranz Joseph Haydn\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolfgang Stockmeier\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eFlute; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFor piano, flute (or violin) and cello.\u003cbr\u003e\u003cbr\u003eIn the Classical period, and well into the 19th century, piano trios were almost “fashion accessories.” At the end of his life, Haydn could look back proudly at the 39 piano trios which he now left to posterity. One interesting feature of the collection Hob. XV:15-17 is that, thanks to their scoring for flute instead of violin, they differ from Haydn's other trios. They were commissioned by the London publisher John Bland, who had paid a visit to Haydn in 1789. Haydn immediately put pen to paper and created three extraordinarily charming pieces full of imaginative touches and elegance, which were published in summer 1790. The use of the flute is undoubtedly due to the instrument's unique popularity in the circles of the English middle classes and aristocracy; nevertheless, a performance with violin is also perfectly feasible and even explicitly suggested in the F-major Trio Hob. XV:17.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e96\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e391.23\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174804\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204966166704,"sku":"51480284-hn284","price":2300.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480284.jpg?v=1654274873"},{"product_id":"piano-trios-0151480292","title":"Piano Trios 普雷耶爾 鋼琴三重奏 亨乐版","description":"\u003cp\u003e奧地利人伊格納茨-普萊耶爾（Ignaz Pleyel）很好地吸收了老師的技巧，他的 C 大調鋼琴三重奏和 F 大調鋼琴三重奏華麗而充實，最初被認為是大師的作品（並被編入目錄編號 Hob. XV:3 和 Hob.XV:4）。普萊耶爾的作品在他那個時代廣受歡迎並得到廣泛傳播。除了交響曲和絃樂四重奏之外，他的近 50 首鋼琴三重奏也是其作品中的一大亮點。我們的Urtext版本介紹了兩首傑出的作品\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eIgnaz Pleyel\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolfgang Stockmeier\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eCan one imagine a better teacher of chamber music composition than Joseph Haydn? The Austrian Ignaz Pleyel assimilated his teacher's skill so well that his galant and substantial Piano Trios in C major and F major were initially attributed to the great master (and assigned the catalogue numbers Hob. XV:3 and Hob. XV:4). Pleyel's compositions enjoyed great popularity and found wide dissemination in his day. Alongside symphonies and string quartets, his nearly fifty piano trios are a particular high point in her oeuvre. Our Urtext edition here presents two brilliant examples.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e64\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e252.315\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174880\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204968198320,"sku":"51480292-hn292","price":1600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480292.jpg?v=1654275718"},{"product_id":"trio-sonata-and-canon-perpetuus-from-the-musical-offering-bwv-1079-0151480294","title":"Trio Sonata and Canon Perpetuus from the Musical Offering BWV 1079 巴赫‧約翰瑟巴斯提安 三重奏鳴曲 卡農 音樂的奉獻 鋼琴三重奏 亨乐版","description":"\u003cp\u003e巴赫為長笛、小提琴和低音提琴創作的三重奏奏鳴曲（選自《音樂祭》）可能是音樂史上最傑出的三重奏奏鳴曲。1747 年，當巴赫在波茨坦會見腓特烈大帝時，這位君主向作曲家贈送了自己創作的著名的 \"皇家主題\"。它是整部音樂祭的基礎，其中還包括幾首賦格曲和卡農以及三重奏奏鳴曲。三重奏之後的 \"永久卡農 \"也可以由三重奏演奏。這裡的 \"永續 \"是指由演奏者自己決定卡農何時結束\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eHans Eppstein\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eFlute; Violin; Basso Continuo\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBach: Canon Perpetuus from the Musical Offering for Flute, Violin and Basso Continuo BWV 1079 Nr. 9\u003cbr\u003e Bach: Trio Sonata from the musical offering for Flute, Violin and Basso Continuo BWV 1079 Nr. 8\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBach's Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, the sovereign presented the composer with the celebrated “Royal Theme”, composed by himself. It underpins the entire Musical Offering, which also contains several fugues and canons as well as the Trio Sonata. The Canon perpetuus that follows the Trio can also be played by a trio. The term “perpetuus” here means that the performers themselves are to determine when the canon ends.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e32\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e232.47\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088174903\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204968493232,"sku":"51480294-hn294","price":1100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480294.jpg?v=1654275808"},{"product_id":"clarinet-trios-b-flat-major-op-11-and-e-flat-major-op-38-0151480342","title":"Clarinet Trios B Flat Major Op. 11 and E Flat Major Op. 38 for Piano, Clarinet (or Violin) and Violoncello 貝多芬 豎笛三重奏 鋼琴 小提琴 大提琴 亨乐版","description":"\u003cp\u003e貝多芬於 1798 年和 1802-03 年創作了單簧管三重奏作品 11 和 38。作品 11 作品 11 之所以被稱為 \"加森豪爾三重奏\"，是因為其第三樂章是根據約瑟夫-魏格爾的歌劇《L'amor marinaro》（\"Gassenhauer \"意為 \"流行歌曲\"）中的主題而創作的一組變奏曲。在這九首變奏曲中，貝多芬時而讓鋼琴獨奏，時而讓鋼琴休止。在某些地方，樂曲的情緒如同葬禮進行曲，整個樂曲在和聲和節奏上都給人以驚喜\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFriedhelm Klugmann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Clarinet Trio E flat major op. 38 for Piano, Clarinet (or Violin) and Violoncello\u003cbr\u003e Beethoven: Clarinet Trio B flat major op. 11 for Piano, Clarinet (or Violin) and Violoncello\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eBeethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802-03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl's opera L'amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.\u003cbr\u003e\u003cbr\u003eThe op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then – makes it doubly valuable.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e128\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e473.445\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088175375\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204977701040,"sku":"51480342-hn342","price":2280.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480342.jpg?v=1654279283"},{"product_id":"trio-for-piano-flute-and-bassoon-woo-37-0151480343","title":"Trio for Piano, Flute, and Bassoon, WoO 37 貝多芬 鋼琴三重奏 亨乐版","description":"\u003cp\u003e長笛演奏家總是對將他們的樂器作為原始樂譜一部分的室內樂作品心存感激。因此，貝多芬的鋼琴、長笛和巴松管三重奏的這一Urtext版本可以讓他們樂在其中，該版本以新的《貝多芬全集》文本為基礎。貝多芬大概是在 15 歲時創作了這首技巧精湛的協奏三重奏。這首曲子是為貴族韋斯特霍爾特-吉森伯格家族創作的，因此可以解釋其不同尋常的樂器配置。韋斯特霍爾特-吉森伯格男爵演奏巴松管，他的兒子演奏長笛，而他的女兒瑪麗亞-安娜-威廉明是貝多芬的鋼琴學生。令人陶醉的室內樂！\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFriedhelm Klugmann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eBassoon; Flute; Piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Flute Trio for Piano, Flute and Bassoon G major WoO 37\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFlutists are always grateful for chamber music works that include their instrument as part of the original scoring. They can thus take pleasure in this Urtext edition of Beethoven's Trio for piano, flute and bassoon, which is based on the text of the new Beethoven Complete Edition. Beethoven probably composed this virtuoso concertante trio at the age of fifteen. Its unusual instrumentation can be explained by the fact that the piece was written for the aristocratic Westerholt-Gysenberg family. Baron Westerholt-Gysenberg played the bassoon, his son the flute, and his daughter, Maria Anna Wilhelmine, was Beethoven's piano pupil. Enchanting chamber music!\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e46\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e195.615\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088175382\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204977995952,"sku":"hn343","price":1100.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480343.jpg?v=1654279176"},{"product_id":"piano-trio-g-major-0151480379","title":"Piano Trio G Major National Federation of Music Clubs 2014-2016 Selection 德布西 鋼琴三重奏 亨乐版","description":"\u003cp\u003e德彪西於 1880 年夏天在義大利菲耶索萊創作了這部作品，當時他 18 歲。當時，他是柴科夫斯基著名的女資助人娜德夏-馮-梅克的音樂旅伴。大部分親筆材料被認為已經遺失，直到 100 多年後的 1982 年才在德彪西的學生莫里斯-杜梅尼（Maurice Dumesnil）的遺產中被發現。1986 年，當 Henle 出版第一版時，音樂界張開雙臂歡迎這首三重奏。各樂團爭相演奏，許多唱片也隨之發行。雖然作品在形式上比較傳統，但旋律清新，轉折和樂句都具有德彪西的典型風格\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%B8%83%E6%8B%89%E5%A7%86%E6%96%AF\"\u003eClaude Debussy\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eEllwood Derr\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eDebussy: Piano Trio in G (First Edition)\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eDebussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most of the autograph material was thought to have been lost and was only discovered over 100 years later, in 1982, in the estate of Debussy's pupil Maurice Dumesnil. When Henle published the first edition in 1986, the music world welcomed the trio with open arms. Ensembles rushed to play it, and numerous recordings followed. Although formal conventions prevail, the work displays a melodic freshness as well as inflections and phrases that are typical of Debussy.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e46\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e297.675\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088175726\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204985827504,"sku":"51480379-hn379","price":1830.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480379.jpg?v=1654281425"},{"product_id":"piano-trios-volume-iv-0151480411","title":"Piano Trios - Volume IV for piano, violin, and cello 海頓 鋼琴 小提琴 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e約瑟夫-海頓的近 40 首鋼琴三重奏作品由 G. Henle 出版了五卷本。這些作品以 Henle 出版的《海頓全集》為基礎。第四卷收錄了九首鋼琴三重奏 Hob. XV:18-26，這些作品可能是海頓第二次旅居英國期間（1794\/95 年）創作的。這本Urtext版的前言由編者撰寫，內容詳盡，介紹了三重奏的起源、獻曲人和記譜特異性。在這些 \"由小提琴和中提琴伴奏的鋼琴奏鳴曲 \"中，鋼琴在很大程度上占主導地位，正如它們在第一版中的標題一樣。事實上，在長長的樂段中，小提琴與鋼琴的右手同音（大提琴與鋼琴左手部分同音）。儘管如此，這兩件絃樂器還是極大地增強了音樂的感染力，小提琴偶爾也會獨自演奏旋律\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B5%B7%E9%A0%93\"\u003eJoseph Haydn\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eIrmgard Becker-Glauch\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eHaydn: Trio f sharp minor Hob. XV:26\u003cbr\u003e Haydn: Trio E flat major Hob. XV:22\u003cbr\u003e Haydn: Trio d minor Hob. XV:23\u003cbr\u003e Haydn: Trio g minor Hob. XV:19\u003cbr\u003e Haydn: Trio G major Hob. XV:25 (with Rondo all' Ongarese) G major Hob. XV:25\u003cbr\u003e Haydn: Trio A major Hob. XV:18\u003cbr\u003e Haydn: Trio D major Hob. XV:24\u003cbr\u003e Haydn: Trio C major Hob. XV:21\u003cbr\u003e Haydn: Trio B flat major Hob. XV:20\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJoseph Haydn's nearly forty piano trios are available in five volumes from G. Henle. These are based on the Haydn Complete Edition, likewise published by Henle. This fourth volume contains the nine Piano Trios Hob. XV:18-26, which Haydn probably composed during his second sojourn in England (1794\/95). Prefixed to this Urtext edition is a detailed preface by the editor that provides information about the trio's genesis, dedicatees and notational idiosyncrasies. The piano largely dominates in these “sonatas for the pianoforte with accompaniment of violin and violoncello”, as they were titled in the first edition. In fact, for long stretchess the violin doubles the right hand of the piano at the unison (with the violoncello doing the same for the piano left-hand part). The two string instruments nonetheless contribute significantly to the impact of this music, and the violin is occasionally entrusted with the melodic line on its own.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e278\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1085.805\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088176044\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204994052272,"sku":"51480411-hn411","price":3800.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480411.jpg?v=1654276655"},{"product_id":"piano-trios-volume-v-0151480412","title":"Piano Trios - Volume V for piano, violin, and cello 海頓 鋼琴 小提琴 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e約瑟夫-海頓的近四十首鋼琴三重奏由 G. Henle 出版了五卷本。這些作品以 Henle 出版的《海頓全集》為基礎。第五卷收錄了六首鋼琴三重奏 Hob. XV:27-32，這些作品可能是海頓第二次旅居英國期間（1794\/94 年）創作的。他將前三首獻給了當時著名的鋼琴家 \"巴托洛齊夫人\"，巴托洛齊夫人約 1770 年出生於亞琛，原名特蕾澤-揚森，曾接受穆齊奧-克萊門蒂的鋼琴指導。這六首三重奏都是對鋼琴演奏的挑戰，同時也是精緻的室內樂作品。G 大調三重奏 Hob. XV:32可能是一首 \"偽裝 \"的小提琴奏鳴曲，其中的大提琴聲部是後來 \"由外國人 \"添加的。這本Urtext版本的前言由編者撰寫，詳細介紹了作品的起源、資料來源和記譜特點\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%B5%B7%E9%A0%93\"\u003eJoseph Haydn\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eIrmgard Becker-Glauch\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eHaydn: Trio G major Hob. XV:32\u003cbr\u003e Haydn: Trio e flat minor Hob. XV:31\u003cbr\u003e Haydn: Trio E flat major Hob. XV:30\u003cbr\u003e Haydn: Trio E flat major Hob. XV:29\u003cbr\u003e Haydn: Trio E major Hob. XV:28\u003cbr\u003e Haydn: Trio C major Hob. XV:27\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJoseph Haydn's nearly forty piano trios are available in five volumes from G. Henle. These are based on the Haydn Complete Edition, likewise published by Henle. The fifth volume contains the six Piano Trios Hob. XV:27-32, which Haydn probably composed during his second sojourn in England (1794\/94). He dedicated the first three to the then prominent pianist “Mrs. Bartolozzi”, who was born in Aachen ca. 1770 as Therese Jansen and had received piano instruction from Muzio Clementi. All six trios present a pianistic challenge and at the same time are sophisticated chamber music works. The G Major Trio Hob. XV:32, however, is probably a violin sonata “in disguise”, to which the violoncello part was subsequently added “by a foreign hand”. Prefixed to this Urtext edition is a detailed preface by the editor that provides information about the works' genesis, sources and notational particularities.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e132\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e912.87\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088176051\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40204994150576,"sku":"51480412-hn412","price":3480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480412.jpg?v=1654283369"},{"product_id":"sonata-in-f-major-for-piano-and-horn-or-violoncello-op-17-0151480498","title":"Sonata in F Major for Piano and Horn (or Violoncello) Op. 17 貝多芬 奏鳴曲 鋼琴 法國號 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e編輯：Armin Raab\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eArmin Raab\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; French Horn; Piano\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Sonata for Piano and Horn (or Violoncello) F major op. 17\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eEdited by Armin Raab\u003cbr\u003e\u003cbr\u003eFingering by Groethuysen and Ginzel\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e44\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e218.295\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088176914\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205009191088,"sku":"hn498","price":980.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480498.jpg?v=1654292370"},{"product_id":"concerto-for-piano-violin-violoncello-and-orchestra-c-major-op-56-0151480610","title":"Concerto for Piano, Violin, Violoncello, and Orchestra C Major Op. 56 Piano Reduction 貝多芬 協奏曲 大提琴 管弦樂團 鋼琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e1804年春，在為洛布科維茲親王舉辦的兩場私人演出中，貝多芬的兩部新作品首次登臺亮相：《第三交響曲作品55》和《三重協奏曲作品55》。作品 55 和三重協奏曲作品 56。為鋼琴、小提琴、大提琴和樂隊創作的三重協奏曲作品 56。熱愛藝術的贊助人洛布科維茲因此得以對兩部新創作的作品進行評價，貝多芬也得以在出版前對作品進行了多次改進。據推測，《三重協奏曲》於四年後的 1808 年 2 月在萊比錫音樂廳首次公開演出。從那時起，這部作品就成為每個交響樂團的標準曲目。這本Urtext版的鋼琴縮寫本以貝多芬全集的樂譜為基礎，同樣由伯納德-範-德-林德（Bernard van der Linde）製作。編者在序言中詳細介紹了這首三人獨奏協奏曲的複雜來源情況\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eBernhard van der Linde\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Piano; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eBeethoven: Concerto for Piano, Violin and Violoncello with Orchestra [Triple concerto] C major op. 5\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eIn two private performances for Prince Lobkowitz in the spring of 1804, two new works by Beethoven were played for the first time: his Third Symphony op. 55 and the Triple Concerto op. 56 for piano, violin, cello and orchestra. The art-loving patron Lobkowitz was thus able to appraise two freshly composed works, and Beethoven was able to make many an improvement before publication. The first public performance of the Triple Concerto presumably took place only four years later in February 1808 in Leipzig's Gewandhaus. Since then, this work has belonged to the standard repertoire of every symphony orchestra. The piano reduction of this Urtext edtion is based on the score of the Beethoven Complete Edition, which was likewise made by Bernard van der Linde. The editor's preface provides detailed information about the complicated source situation of this concerto for three soloists.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e184\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e705.915\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088177300\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205028458672,"sku":"51480610-hn610","price":2600.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480610.jpg?v=1654296942"},{"product_id":"double-concerto-in-a-minor-op-102-0151480715","title":"Double Concerto in A Minor, Op. 102 Piano Trio 布拉姆斯 複協奏曲 鋼琴三重奏 亨乐版","description":"\u003cp\u003e實際上，大提琴家羅伯特-豪斯曼（Robert Hausmann）曾要求創作一首大提琴協奏曲，但勃拉姆斯在他的 \"雙協奏曲 \"中將大提琴與小提琴搭配在一起。這部不同尋常的作品作為新版勃拉姆斯全集的一部分已經面世數年。Johannes Umbreit 使用勃拉姆斯的原版鋼琴縮譜，製作了一套可演奏的鋼琴曲，以最佳方式再現了樂譜的豐富多彩。弦樂部分的指法和弓法由經驗豐富的獨奏家弗蘭克-彼得-齊默爾曼（Frank Peter Zimmermann）和海因裡希-希夫（Heinrich Schiff）提供。管弦樂部分以完整版為基礎，可從 Breitkopf \u0026amp; Härtel (PB\/OB 16104) 購買\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eFrank Peter Zimmermann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his “Double Concerto”. The unusual work has already been available as part of the new Brahms Complete Edition for several years. Using Brahms' original piano reduction, Johannes Umbreit has produced a playable piano setting that optimally renders the colorfulness of the score. The fingerings and bowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts, based on the Complete Edition, are available from Breitkopf \u0026amp; Härtel (PB\/OB 16104).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e148\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e669.06\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680072155\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205052838064,"sku":"51480715-hn715","price":2280.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480715.jpg?v=1654301874"},{"product_id":"sinfonia-concertante-eb-major-k-364-0151480798","title":"Sinfonia Concertante Eb Major K.364 Piano Trio 莫札特 鋼琴三重奏 亨乐版","description":"\u003col\u003e\n\u003cli\u003e\n\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cb\u003e校訂者: \u003c\/b\u003eWolf-Dieter Seiffert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\n\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eMozart: Sinfonia concertante E flat major KV 364\u003c\/p\u003e\n\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eNo serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the sources were meticulously examined, text-critically evaluated and documented for the very first time. The editing and marking of the solo parts by Tabea Zimmermann and Frank Peter Zimmermann are a crowning point in this co-production with Breitkopf \u0026amp; Härtel.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e108\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e623.7\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088179038\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205089439920,"sku":"51480798-hn798","price":1500.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480798.jpg?v=1654305474"},{"product_id":"dumky-piano-trio-op-90-0151480799","title":"Dumky Piano Trio Op. 90 for Violin, Cello and Piano 德弗札克 悲歌 鋼琴三重奏 亨乐版","description":"\u003cp\u003e\"在某些時刻，它就像一首嚴肅的歌曲，而在另一些時刻，它又像一支歡快的舞蹈......\" \"1890年，德沃夏克向一位朋友這樣描述他當時正在創作的這部作品。Dumka\"（複數為 \"Dumky\"）一詞實際上描述的是一種斯拉夫舞蹈形式，其中有明顯的憂鬱段落和舞蹈般的歡快段落交替出現。在德沃夏克的室內樂作品中，\"杜姆卡 \"是一個反復出現的主題，儘管它始終只是一個樂章。這首鋼琴三重奏的形式與眾不同--它有六個連續的 \"杜姆卡\"，每個 \"杜姆卡 \"都有自己非常獨特的個性和極強的表現力--這意味著它是捷克大師最受歡迎的作品之一\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%9C%AD%E5%85%8B\"\u003eAntonín Dvorák\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKlaus Döge\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e曲目: \u003c\/b\u003e\u003cbr\u003eDvorák: Dumky Piano Trio op. 90\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003e“At certain points it will be like a serious song, at others like a happy dance...” This was how Dvorák described the work which he was composing at the time to a friend in 1890. The word “Dumka” (plural “Dumky”) actually describes a Slavic dance-form with a noticeable alternation between melancholic and dance-like boisterous passages. The Dumka is a recurring theme in Dvorák's chamber music; although always only as a single movement. The unusual form of this piano trio – it has a succession of six “Dumky,” each with its own very distinctive character and great expressiveness – means that it is one of the Czech master's best-loved works.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e62\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e348.705\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088179045\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205091242160,"sku":"51480799-hn799","price":1680.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480799.jpg?v=1654305833"},{"product_id":"8-pieces-op-83-0151480853","title":"8 Pieces, Op. 83 for Clarinet (Violin), Viola (Violoncello) and Piano 布魯赫 豎笛(小提琴) 中提琴(大提琴) 鋼琴 小品 亨乐版","description":"\u003cp\u003e馬克斯-布魯赫（Max Bruch）為其天才單簧管演奏家兒子馬克斯-菲利克斯（Max Felix）創作了這八首極富浪漫主義色彩的樂曲。為了讓這部作品能被更廣泛地演奏，布魯赫將單簧管部分改編成小提琴曲，將中提琴部分改編成大提琴曲。我們的版本包含了這兩個部分以及一個降 B 調單簧管轉調版本，因此可以用不同的樂器組合演奏。此外，所有八首樂曲都是首次以Urtext版本的形式在此一併呈現！\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eMax Bruch\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eAnnette Oppermann\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Clarinet; Piano; Viola; Violin; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eMax Bruch composed these eight, highly romantic pieces for his son Max Felix, a talented clarinetist. In order to enable the work to be played more widely, Bruch arranged the clarinet part for violin and the viola part for cello. Our edition contains both parts plus a transposed version for clarinet in B flat, thus allowing it to be played by different combinations of instruments. In addition, all of the eight pieces are presented here in an Urtext edition for the first time and in one volume!\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e136\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e549.99\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088415969\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205122240688,"sku":"51480853-hn853","price":2980.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480853.jpg?v=1654308827"},{"product_id":"robert-schumann-works-for-piano-trio-0151480916","title":"Robert Schumann - Works for Piano Trio 舒曼‧羅伯特 鋼琴三重奏 亨乐版","description":"\u003cp\u003e舒曼晚年才開始創作室內樂。1842 年，他創作了六首內容豐富的作品，其中包括他的第一首鋼琴三重奏，直到 1850 年才以 \"四首幻想曲作品 88 \"的標題發表。與此同時，他還創作了 d 小調三重奏作品 作品 63（1847 年）和 F 大調三重奏作品 80（1847-49 年）。80 (1847-49). 1851 年在杜塞爾多夫時，他創作了 g 小調三重奏作品 110。110. 與孟德爾松和勃拉姆斯的三重奏一起，舒曼的這四部作品是 19 世紀這一體裁最重要的作品\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%88%92%E6%9B%BC\"\u003eRobert Schumann\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eErnst Herttrich\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eSchumann began writing chamber music rather late in his life. In 1842 he then wrote six substantial works, including his first piano trio, which he only published in 1850 under the title Four Fantasy Pieces op. 88. In the meantime he had already composed the Trios in d minor op. 63 (1847) and F major op. 80 (1847-49). When he was in Dusseldorf, in 1851, he wrote the g minor Trio op. 110. Together with the trios by Mendelssohn and Brahms, Schumann's four compositions are the most important works for this genre written in the 19th century.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e228\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e1216.215\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088884147\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205140721840,"sku":"51480916-hn916","price":3300.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480916.jpg?v=1654310383"},{"product_id":"serenade-in-d-major-op-41-0151480934","title":"Serenade in D Major Op. 41 for Piano and Flute (Violin) Revised Edition 貝多芬 小夜曲 亨乐版","description":"\u003cp\u003e小夜曲作品 41 根據貝多芬為長笛、小提琴和中提琴創作的作品 25 改編。雖然鋼琴與長笛（或小提琴）的版本並非作曲家原創，可能是由作曲家弗朗茨-哈威爾-克萊因海因茨（Franz Xaver Kleinheinz）創作的，但貝多芬在 1803 年 9 月向出版商 Hoffmeister \u0026amp; Kühnel 保證，他 \"通讀了該作品，並對一些段落進行了大幅改進\"。在 \"revue par l'Auteur \"的讚譽下，這首改編曲很快被廣泛傳播。Henle 現在出版了這首迷人小夜曲的修訂版，其中納入了貝多芬最新的學術研究成果（迄今為止為 HN 301）。它包含了有關起源和來源情況的新的大量文字\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%B2%9D%E5%A4%9A%E8%8A%AC\"\u003eLudwig van Beethoven\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eEgon Voss\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eFlute; Piano; Violin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe Serenade Op. 41 is based on Beethoven's Opus 25 for flute, violin and viola. Although the version for piano and flute (or violin) did not originate from the composer – but was probably undertaken by the composer Franz Xaver Kleinheinz – Beethoven did, however, “look through it and substantially improve some passages,” as he assured his publishers Hoffmeister \u0026amp; Kühnel in September 1803. With the accolade “revue par l'Auteur,” the arrangement was soon widely disseminated. Henle is now publishing a revised edition of this charming serenade, incorporating the latest scholarly Beethoven research (to date HN 301). It contains new, extensive texts concerning the genesis and source situation.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e24\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e155.925\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088949990\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205148586160,"sku":"51480934-hn934","price":1000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480934.jpg?v=1654311227"},{"product_id":"piano-trios-0151480957","title":"Piano Trios Mendelssohn 孟德爾頌 鋼琴三重奏 亨乐版","description":"\u003cp\u003e1831\/1832年，孟德爾松曾嘗試創作三重奏，但未果，1839年夏天，他創作了D小調鋼琴三重奏作品49，在這一重要的室內樂體裁上取得了突破性進展，六年後又創作了C小調三重奏作品66。在第一首三重奏發表時，舒曼借機將作曲家形容為 \"19 世紀的莫札特\"，這顯然是在暗指古典主義和浪漫主義風格元素的融合。孟德爾松將此長笛部分作為作品 49 的另一個版本（用長笛代替小提琴）\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eFelix Mendelssohn\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eAfter an early work and a discontinued attempt in 1831\/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the “Mozart of the 19th century,” whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements. The musical text of these two famous trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a flute part for the alternative version of op. 49 (flute instead of violin) that Mendelssohn himself made.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e205\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e850.5\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680625627\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205159104688,"sku":"51480957-hn957","price":2750.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480957.jpg?v=1654311451"},{"product_id":"maurice-ravel-piano-trio-0151480972","title":"Maurice Ravel - Piano Trio 拉威爾‧摩利斯 鋼琴三重奏 亨乐版","description":"\u003cp\u003e與所有成熟的室內樂作品一樣，拉威爾在 1914 年創作的鋼琴三重奏中也表現出對傳統形式和技巧的創新。因此，\"帕薩卡利亞 \"樂章符合巴羅克時期的基本形式。另一方面，拉威爾認為這首樂曲 \"像聖桑的作品\"，這無疑是一種諷刺。因為歷史化的範本只是音樂習性實驗的一個框架：從大調與小調之間的不斷搖擺，到最多樣化曲式的組合與疊加。法國著名鋼琴家巴斯卡-羅熱（Pascal Rogé）為我們這版技術要求極高的作品提供了指法\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E6%8B%89%E5%A8%81%E7%88%BE\"\u003eMaurice Ravel\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003ePascal Rogé\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eAs with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the “Passacaglia” movement corresponds to the underlying form of the Baroque Period. The music on the other hand was, according to Ravel, “like that of Saint-Saëns,” which was surely meant ironically. For the historicizing template only served as a framework for experiments with musical idiom: from a constant oscillation between major and minor to combinations and overlaying of the most diverse metres. The fingering for our edition of this technically extremely demanding work was provided by the renowned French pianist Pascal Rogé.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e493.29\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088674694\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205165691056,"sku":"51480972-hn972","price":1730.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51480972.jpg?v=1654313142"},{"product_id":"well-tempered-clavier-bwv-846-869-part-i-0151481014","title":"Well-Tempered Clavier BWV 846-869 Part I (No Fingering) 巴赫‧約翰瑟巴斯提安 亨乐版","description":"\u003cp\u003e音樂文本的基礎是亨勒 1997 年出版的第一分譜修訂版和富田洋 2007 年春季出版的第二分譜修訂版。這兩個版本還附有詳細的評注。此外，《全音調鋼琴協奏曲》的兩個分譜都有 Henle Urtext 版本（帶指法）（HN 14）和研究版本（不帶指法）（HN 9014）。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 14) and as study edition without fingerings (HN 9014).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e138\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e538.65\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088473105\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205177847984,"sku":"51481014-hn1014","price":1330.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481014.jpg?v=1654315309"},{"product_id":"well-tempered-clavier-bwv-870-893-part-ii-0151481016","title":"Well-Tempered Clavier BWV 870-893 Part II (No Fingering) 巴赫‧約翰瑟巴斯提安 鋼琴三重奏 亨乐版","description":"\u003cp\u003e音樂文本的基礎是 Henle 於 1997 年出版的第一分譜修訂版和富田洋（Yo Tomita）的第二分譜修訂版（2007 年春）。著名的巴赫學者富田在一篇詳盡的序言中討論了第二分譜複雜的來源情況。該版本還附有詳細的評注。此外，《迴旋曲》的兩個分譜都有不帶指法的 Henle Urtext 版本 (HN 16) 和不帶指法的研究版本 (HN 9016)。\u003c\/p\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/bach-johann-sebastian-%E5%B7%B4%E8%B5%AB\"\u003eJohann Sebastian Bach\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano; Piano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eThe basis for the musical text was Henle's revised edition of Part I published in 1997 and Yo Tomita's revision of Part II (Spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings (HN 16) and as study editions without fingerings (HN 9016).\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e176\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e686.07\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088658359\u003cbr\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205178273968,"sku":"51481016-hn1016","price":1330.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481016.jpg?v=1654315549"},{"product_id":"frederic-chopin-piano-trio-in-g-minor-op-8-0151481068","title":"Frédéric Chopin - Piano Trio in G minor, Op. 8 Score and Parts 蕭邦 鋼琴三重奏 亨乐版","description":"\u003cp\u003e弗雷德里克-蕭邦 18 歲時創作了鋼琴三重奏。關於三重奏在 1830 年 8 月 31 日的演出，他寫道：\"星期天我們排練了三重奏。也許是因為很久沒有聽到它了，我對自己非常滿意（幸運的人！）\"。 無獨有偶，羅伯特-舒曼也有同感，他在一篇評論中寫道 \"這難道不是一首盡可能高尚、比詩人寫過的任何一首歌都更充滿熱情的作品嗎？\"\"它的每一個細節都是原創的，每一個音符都是音樂和生命的結晶。我們同意這一評價，並向所有高度浪漫的室內樂愛好者推薦這一Urtext版本\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%95%AD%E9%82%A6\"\u003eFrédéric Chopin\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eAndreas Groethuysen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eFrédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: “On Sunday we rehearsed the trio. Perhaps because I haven't heard it for a while, I was very happy with myself (fortunate man!).” Incidentally, Robert Schumann also shared this opinion, writing in a review: “Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?” We agree with this verdict and recommend this Urtext edition to all lovers of highly romantic chamber music.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e374.22\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088915377\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205232799920,"sku":"51481068-hn1068","price":2000.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481068.jpg?v=1654318074"},{"product_id":"wolfgang-amadeus-mozart-wunderkind-sonatas-volume-2-k-10-15-0151481078","title":"Wolfgang Amadeus Mozart - Wunderkind Sonatas, Volume 2, K. 10-15 Piano and Violin (with Violoncello) With Marked and Unmarked Stri 莫札特 鋼琴 小提琴大提琴 奏鳴曲 鋼琴三重奏 亨乐版","description":"\u003cp\u003e利奧波德-莫札特只能從上帝賜予的奇跡的角度來理解他兒子的音樂天才： \"我的孩子[......]以他 8 歲的年齡就懂得了一個 40 歲的男人所應懂得的一切。總之，沒有親眼目睹或親耳聆聽的人是無法相信的\"。1764 年，沃爾夫岡在倫敦創作了六首奏鳴曲--可能是以約翰-克利斯蒂安-巴赫的 \"作品 2 \"為藍本--它們既可以作為鋼琴三重奏、小提琴奏鳴曲演奏，也可以在鋼琴上演奏。\"該版本參考了 \"皇家 \"資料：大英圖書館收藏的副本上有手寫注釋：\"本卷屬於女王，1788 年\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E8%8E%AB%E6%9C%AD%E7%89%B9\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eWolf-Dieter Seiffert\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Violin; Piano Accompaniment\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eLeopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: “That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it.” In 1764 Wolfgang composed six sonatas in London – possibly after the model of Johann Christian Bach's “Opus 2” – that can either be played as piano trios, violin sonatas, or simply on the piano. “Royal” sources were consulted for the edition: the copy in the British Library bears the handwritten note: “This Volume belongs to the Queen 1788.”\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e22\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e462.105\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e884088884062\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205236371632,"sku":"51481078-hn1078","price":1480.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481078.jpg?v=1654318675"},{"product_id":"trio-in-a-minor-op-114-revised-edition-0151481125","title":"Trio in A Minor, Op. 114 - Revised Edition for Piano, Clarinet (Viola) and Cello 布拉姆斯 鋼琴 中提琴 大提琴 鋼琴三重奏 亨乐版","description":"\u003cp\u003e約翰內斯-勃拉姆斯（Johannes Brahms）的晚期室內樂作品無疑是為單簧管創作的最傑出的音樂之一。在生命的最後幾年，勃拉姆斯似乎厭倦了作曲--但幸運的是，1891 年，他遇到了邁寧根宮廷管弦樂團的單簧管獨奏家理查-米爾費爾德，後者婉轉動聽的演奏藝術深深吸引了他，並激發了他創作新作品的靈感。三重奏，作品 114充滿了憂鬱和秋意，深受所有單簧管演奏家的喜愛。現在，Henle 出版了該曲的修訂版。音樂文本沿用了《新勃拉姆斯全集》（New Brahms Complete Edition）的文本，從而保證了最高的精確度，並反映了當前的研究水準。鋼琴家克勞斯-席爾德（Klaus Schilde）為這一Urtext 版本添加了寶貴的指法\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%B8%83%E8%A5%BF\"\u003eJohannes Brahms\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eKatharina Loose-Einfalt\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003eCello; Clarinet; Piano; Viola; Chamber Ensemble\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eHenle Urtext Edition\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eJohannes Brahms' late chamber works are surely among the most splendid music ever written for the clarinet. In the last years of his life, Brahms seems to have become weary of composing – but fortunately for posterity, in 1891 he met the solo clarinettist of the Meiningen court orchestra, Richard Mühlfeld, whose mellifluous art of performance captivated him and inspired him to new works. The \u003ci\u003eTrio, Op. 114\u003c\/i\u003e is melancholy and autumnal in character, and is loved by all clarinettists. It is now available from Henle in a revised edition. The musical text follows that of the New Brahms Complete Edition, and thus guarantees the highest degree of precision and reflects the current state of research. The pianist Klaus Schilde has added valuable fingerings to this Urtext edition.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e38\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e280.665\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680716394\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205256949936,"sku":"51481125-hn1125","price":1580.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481125.jpg?v=1654321782"},{"product_id":"piano-trio-no-3-in-f-minor-op-65-0151481230","title":"Piano Trio No. 3 in F minor, Op. 65 德弗札克 鋼琴三重奏 亨乐版","description":"\u003cp\u003e德沃夏克在這首三重奏上花費的時間和精力幾乎超過了其他任何室內樂作品。在他首次成功創作出受捷克民間音樂啟發的作品，即廣為流傳的《斯拉夫舞曲》（51480757 和 51480918）之後，他現在希望證明自己是一位最高水準的作曲家。因此，在第二年夏天，他對 1883 年春天用八周時間寫成的《三重奏》進行了徹底修改，然後交給了出版商。雖然勃拉姆斯的音樂無疑是新作品的典範，但這並不妨礙他展現出一種融合了表現力和激情的極具個人風格的音調。與 \"Dumky \"三重奏 op. 90（51480799）一樣，安德莉亞斯-格羅圖伊森再次負責鋼琴部分的指法\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E5%BE%B7%E5%BC%97%E6%9C%AD%E5%85%8B\"\u003eAntonín Dvorák\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eAndreas Groethuysen\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eDvorák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (51480757 and 51480918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms' music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90 (51480799), Andreas Groethuysen is once again responsible for the fingerings of the piano part.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e115\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e501.795\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680072100\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205294567600,"sku":"51481230-hn1230","price":1880.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481230.jpg?v=1654328987"},{"product_id":"piano-trio-in-g-minor-op-15-0151481249","title":"Piano Trio in G minor, Op. 15 鋼琴三重奏 亨乐版","description":"\u003cp\u003e斯美塔那在 1855 年秋天創作了鋼琴三重奏，這是他從四歲女兒弗裡德里克的去世中恢復過來的一次宣洩。這部極富情感的作品也是他的第一部大型室內樂作品。遺憾的是，1855 年 12 月的首次公開演出並不成功，因此斯美塔那開始了漫長的重新創作過程。到 19 世紀 50 年代末，這首曲子形成了現在的形式。斯美塔那一直喜歡演奏這首曲子，但直到 1880 年，他的一位學生臨時邀請漢堡出版商雨果-波勒（Hugo Pohle）參加演出，斯美塔那才為這首曲子找到了出版商。斯美塔那專家米蘭-波皮希爾（Milan Pospísil）以波勒的第一版為基礎製作了這一Henle Urtext版本，但也參考了更早的資料來源。這使他得以消除第一版中發現的許多不一致之處\"\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e作曲家: \u003c\/b\u003eBedrich Smetana\u003cbr\u003e\u003cb\u003e校訂者: \u003c\/b\u003eMilan Pospisil\u003cbr\u003e\u003cb\u003e樂器: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/%E9%8B%BC%E7%90%B4%E4%B8%89%E9%87%8D%E5%A5%8F\"\u003ePiano Trio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e出版社: \u003c\/b\u003e\u003ca href=\"https:\/\/hsiaoya.com\/collections\/g-henle-verlag\"\u003eG. Henle Verlag\u003c\/a\u003e\u003cbr\u003e\u003cb\u003e原文簡介: \u003c\/b\u003e\u003cbr\u003eWhen Smetana composed his piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospísil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.\u003cbr\u003e\u003c!-- more --\u003e\u003cb\u003e頁數: \u003c\/b\u003e0\u003cbr\u003e\u003cb\u003e重量(g): \u003c\/b\u003e360.045\u003cbr\u003e\u003cb\u003eUPC: \u003c\/b\u003e888680925055\u003cbr\u003e\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":40205301252272,"sku":"51481249-hn1249","price":1700.0,"currency_code":"TWD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/0618\/5904\/products\/51481249.jpg?v=1654331755"}],"url":"https:\/\/hsiaoya.com\/collections\/piano-trio.oembed?page=27","provider":"小雅音樂","version":"1.0","type":"link"}