Paganini Jazz op. 5c Variations on the Caprice No. 24 in the style of modern jazz 賽伊．法佐 爵士音樂 變奏曲 隨想曲 風格 爵士音樂 鋼琴獨奏 朔特版

法茲爾-薩伊的音樂會曲目《帕格尼尼爵士樂》的靈感來自古典、現代和爵士風格，讓人聯想到斯科特-喬普林、阿特-塔圖姆、格什溫和伯恩斯坦等音樂大師的音樂，最初設計為一首迷人的安可曲（1988 年）。簡而言之，在 1988 年至 1995 年期間，該作品經過了多次改寫和擴充。我們可以認為，這部作品從帕格尼尼著名的《第 24 首隨想曲》中汲取了靈感，將其改編為爵士樂變奏曲，需要演奏家的精湛演繹，同時也是一部可以加入即興演奏和各種編曲的作品。李斯特、勃拉姆斯、拉赫瑪尼諾夫和盧托斯拉夫斯基都是其中的佼佼者。然而，在薩伊的作品中，我們必須注意到一個不同的方面：作曲家準備在音樂會上演繹這部作品時加入各種發展段落和過渡即興。此外，當該作品被視為一首簡短的安可曲時，薩伊會以自己認為合適的方式對其進行縮寫"

作曲家: Say, Faz?l
樂器: piano
出版社: Schott Music
原文簡介:
The concert piece Paganini Jazz by Faz?l Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements.Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.