Grand Quintetto K 361 after Serenade in Bb ('Gran Partita') 莫札特 鋼琴五重奏小夜曲

從一開始，莫札特的《12管與低音大提琴小夜曲K.361》（通常被稱為《13管小夜曲》或《大帕提塔》）就因其曲譜的大小和性質，以及作品不同尋常的長度而無法經常演奏，這首曲子（或其中的選段）出現了許多替代性但更方便的曲譜：管樂八重奏、管樂六重奏、弦樂五重奏以及長笛四重奏的變奏曲版本（被列為K.285b，但幾乎可以肯定不是莫札特的作品）。不過，在這些小規模的曲譜中，克利斯蒂安-施文克（Christian Schwencke）為包括鋼琴在內的室內樂組所做的編曲在音效上最為出色，而這一編曲也是莫札特為五位演奏者所做的想法的最連貫體現。與《大帕蒂塔》的幾個流傳版本一樣，施文克的版本在第一首功能表小調中加入了第三首三重奏；迄今為止，這首三重奏既未被證實為真正的莫札特作品，也未被推翻，它被收錄在這部作品的首個現代版中，用於獨特的樂器組合，還提供了長笛、單簧管甚至另一把小提琴代替雙簧管的選擇"

作曲家: Mozart Wolfgang Amadeus
改編者: Hogwood, Christopher
校訂者: Schwenke, C. F. G.
樂器: Oboe (flute/clarinet/violin), violin, viola, cello, piano
出版社: Edition HH Limited
原文簡介:
From the start, the size and nature of the scoring of Mozart’s Serenade for 12 Winds and Contrabass K. 361 (conventionally called either Serenade for 13 Winds or Gran Partita) and the unusual length of the work precluded frequent performance, and the piece (or selections from it) appeared in many alternative but more convenient scorings: for wind octet, wind sextet, string quintet and a flute quartet version of the variations (listed as K. 285b but almost certainly not Mozart’s work). Of the small-scale scorings, however, Christian Schwencke’s arrangement for a chamber group including piano is sonically the most effective and this arrangement is the most coherent representation of Mozart’s ideas for five players. In common with several transmitted versions of the Gran Partita, Schwencke’s version includes a third Trio attached to the first Menuetto; to date this Trio has neither been authenticated as true Mozart, nor debunked, and it is included in this first modern edition of this work for a unique instrumental combination, also offering the alternatives of flute, clarinet or even another violin to replace the oboe.