Works for Piano Four-Hands - Volume I 1 Piano, 4 Hands 舒伯特 鋼琴 4手聯彈(含以上) 亨乐版
沒有哪位偉大的作曲家能像弗朗茨-舒伯特一樣留下如此多的四手聯彈鋼琴作品--總共 54 部（其中 32 部有作品編號）：幻想曲、舞曲、進行曲、變奏曲、迴旋曲、奏鳴曲等。經常在社交圈中一起演奏音樂，是舒伯特朋友圈中彌足珍貴的消遣方式。年輕的作曲家為這些激動人心的音樂會和熱情洋溢的表演提供了音樂背景。這些作品按時間順序排列在三卷 Henle Urtext 中，展示了舒伯特的鋼琴二重奏"
作曲家: Franz Schubert
校訂者: Willi Kahl
樂器: Piano Duet; 1 Piano, 4 Hands
出版社: Henle Urtext Edition
曲目:
Schubert: Marche Hroique b minor op. 27 D 602
Schubert: Fantasy G major D 1
Schubert: Fantasy c minor D 48
Schubert: Allegro moderato C major D 968
Schubert: Andante a minor D 968
Schubert: Grande Sonata B flat major op. 30 D 617
Schubert: German Dance with 2 Trios and 2 L¯ndler D 618
Schubert: Variations on an Original Theme B flat major op. post. 82,2 D 968 A
Schubert: Fantasy g minor D 9
Schubert: Polonaise F major op. 75 D 599
Schubert: Polonaise E major op. 75 D 599
Schubert: Marche Hroique C major op. 27 D 602
Schubert: Polonaise B flat major op. 75 D 599
Schubert: Polonaise d minor op. 75 D 599
Schubert: Overture F major op. 34 D 675
Schubert: Marche Hroique D major op. 27 D 602
Schubert: Variations on a French Song e minor op. 10 D 624
Schubert: Rondo D major op. post. 138 D 608
原文簡介:
No other great composer has left so many works for piano four-hands as Franz Schubert – altogether 54 (32 of these with opus number): fantasies, dances, marches, variations, rondos, sonatas, etc. Playing music together, often in a social circle, was a precious pastime of Schubert's circle of friends. The young composer provided the musical background for these rousing concerts and exuberant performances. The pieces are chronologically arranged in the three Henle Urtext volumes showcasing Schubert's piano duets.
Volume I contains three very early pieces from the years 1810 to 1813; the other works stem predominantly from the greater part of the year 1818, and which include the splendid Grande Sonate in B flat major D 617. The final section is comprised of two pieces from works that are chronologically difficult to situate and to lay down an exact time of origin; one of these, Allegro Moderato und Andante, D 968, was occasionally also designated as “Sonatine” and was written most probably for instructional purposes.