Six Nocturnes Heft I Nr. 1-3 F-Dur, C-Dur, g-Moll 夜曲 雙簧管加鋼琴 齊默爾曼版

雙簧管與鋼琴夜曲》創作於雙簧管逐漸被單簧管擠到一邊的時代。除了雙簧管演奏家自己，沒有人再為他們的樂器創作任何作品。這裡介紹的《夜曲》的兩位作曲家都是雙簧管演奏家。他們分別生活於 1768 - 1853 年和 1752 - 1825 年。在當時，夜曲往往是根據一首非常流行的詠歎調改編而成的獨奏曲，外加鋼琴或豎琴。這些詠歎調家喻戶曉，作曲家無需再添加任何細節，因此現在很難辨認出這些當時的名曲。這裡介紹的夜曲出版於 1806 年至 1816 年間。音樂學家弗洛倫斯-巴多爾-貝特朗（Florence Badol-Bertrand）翻閱了巴黎檔案館收藏的第一批印刷品，並對其進行了修改和重新編排。巴黎歌劇院英國圓號獨奏家讓-皮埃爾-阿爾諾（Jean-Pierre Arnaud）還就發音和樂句提出了建議。這些夜曲是逝去時光的美好見證。由於其中包含一些技巧性段落，其難度屬於中高級水準"

作曲家: Garnier, Charles / Jadin, Louis Emmanuel
編者: Badol-Bertrand, Florence
樂器: oboe and piano
出版社: Musikverlag Zimmermann
原文簡介:
The Nocturnes for oboe and piano were written at a time when the oboe was gradually being pushed aside by the clarinet. Nobody but oboe players themselves composed anything for their instrument. Both composers of the Nocturnes presented here were oboe players. They lived from 1768 - 1853 and 1752 - 1825 respectively. In those days, a nocturne tended to be a piece for a solo instrument plus piano or harp based on a very popular aria. These arias were so well-known to everybody that there was no need for the composers to add any further details, which makes it very difficult now to identify these hits of the time. The Nocturnes presented here were published between 1806 and 1816. Florence Badol-Bertrand, a musicologist, went through the first prints, collected in Parisian archives, revised and rearranged them. Suggestions as to articulation and phrasing were also added by Jean-Pierre Arnaud, solo English horn player at the Parisian Opera. The Nocturnes are delightful testimonies of times gone by. Their level of difficulty is upper intermediate as they contain some virtuoso passages.