Pavane Variations on a dance from El Maestro by Luis de Milán 帕凡變奏曲 舞曲 雙簧管加鋼琴 朔特版

為中音薩克斯管和管風琴創作的作品非常罕見。來自慕尼克的作曲家恩約特-施耐德在他的作品中探討了 16 世紀的一個主題： 加泰羅尼亞作曲家和維艾拉鼓演奏家路易士-德-米蘭（Luis de Milán，1500-1561 年）是西班牙文藝復興時期最重要的作曲家之一。他在 1536 年出版的作品集《El Maestro》是音樂史上第一部關於維艾拉舞曲的出版物，維艾拉舞曲是吉他的原型。其中包含的六個鋪墊體現了儀式性的遊行舞蹈。根據'pavo'（西班牙語/拉丁語：'孔雀'）的詞源，人們有時甚至能在孔雀舞中聽到這種鳥的典型叫聲，薩克斯風演奏者可以非常自由自然地演奏這種叫聲"

作曲家: Schneider, Enjott
樂器: alto saxophone (cor anglais) and organ
出版社: Schott Music
原文簡介:
Literature for alto saxophone and organ is rare. In his piece, the composer Enjott Schneider from Munich examines a theme from the 16th century: The Catalan composer and vihuela player Luis de Milán (1500-1561) is one of the most important composers of the Spanisch Renaissance. His collection 'El Maestro' from 1536 was the first publication of vihuela music in music history, the vihuela being an archetype of the guitar. The six pavans contained therein embody the ceremonial processional dance. According to the etymological derivation of 'pavo' (Spanish/Latin: 'peacock'), one can sometimes even hear in this peacock's dance the typical cry of this bird which may be performed very freely and naturalistically by the saxophone player.