Piano Sonatas Band 2 Edited from the sources 莫札特 鋼琴奏鳴曲 鋼琴獨奏 維也納原典版

200多年來，莫札特的鋼琴奏鳴曲一直是每位鋼琴家的曲目之一。 然而，在過去幾十年的研究中，對這些作品的年代和排序有了更準確的確定。 專家們對資料的研究表明，許多 18 世紀的印刷版本比莫札特的親筆手稿提供了更可靠的細節；其中許多作品是由作曲家本人準備出版的，並在裝飾音、力度和發音方面標注了精確的演奏指示。所有這一切，再加上對 20 世紀末才得以重見天日的資料的重新發現，使我們有足夠的理由出版新的 Wiener Urtext 版莫札特鋼琴奏鳴曲。第一卷收錄了 K 279 至 K 311 奏鳴曲，第二卷收錄了 K 330 至 K 576 奏鳴曲。在 K 284 奏鳴曲中，最後樂章的第十一變奏既有莫札特親筆手稿中的版本，也有第一版中使用的版本。 樂譜清晰明瞭，佈局合理，翻頁方便，使這一版本非常便於使用。著名的莫札特專家羅伯特-D-列文（Robert D. Levin）對演奏的建議，為經常變得相當疲憊的詮釋提供了新的刺激"

作曲家: Mozart, Wolfgang Amadeus
編者: Leisinger, Ulrich
校訂者: Scholz, Heinz
樂器: piano
出版社: Wiener Urtext Edition

曲目:
Sonate KV 330 - Sonate KV 331 - Sonate KV 332 - Sonate KV 333 - Fantasie und Sonate KV 475/457 - Sonate KV 533 - Sonate KV 545 - Sonate KV 570 - Sonate KV 576 - Sonate KV Anh. 135 / KV 547a

原文簡介:
For more than 200 years Mozart's piano sonatas have been part of every pianist's repertoire. Research done over the last few decades has made it possible, however, to establish more accurate dating and ordering of these works. Expert examination of the sources has shown that many printed editions from the 18th Century give more reliable detail than Mozart's autograph manuscripts; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation, dynamics and articulation. All this, together with the rediscovery of sources that only became accessible again at the end of the 20th Century, gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart's Piano Sonatas. Volume 1 contains the Sonatas K 279 to K 311, volume 2 the Sonatas K 330 to K 576. For Sonata K 284, variation XI in the final movement is given both in the version that appears in Mozart's autograph manuscript and in the version used in the first edition; in order to make the music easier to read, both versions are given in normal print size. Music that is clear and well laid out, with page turns in convenient places, makes this edition extremely user-friendly. Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.