Nocturne et Rondo op. 71/4 夜曲迴旋曲 法國號 (含鋼琴伴奏) 朔特版

儘管法蘭克福作曲家赫森伯格（1908-1994 年）給人留下了深刻的印象，尤其是他的神聖合唱音樂，但他的作曲生涯是從鋼琴、室內樂和管弦樂開始的。海森伯格一生都忠實於這些音樂體裁。1958 年至 1963 年間，他創作了五部微型作品，並將其合併為作品 71，其中他讓管樂五重奏中的五種樂器在鋼琴伴奏下分別 "發言"：長笛、雙簧管、單簧管、圓號和巴松管。1962/63 年，作曲家為圓號創作了獨奏曲《夜曲與迴旋曲》，即作品 71 第 5 號。作品以一首富有表現力、令人回味的夜曲開始，隨後迴旋曲大膽展開，為獨奏樂器提供了一個愉快而有趣的部分，中間部分富有表現力，最後的 "caccia "部分精彩絕倫，圓號和鋼琴則在演奏中試圖超越對方。這首中規中矩的現代'夜曲與迴旋曲'採用了海森伯格典型的擴展調性，是音樂課和音樂會的有效曲目"

作曲家: Hessenberg, Kurt
樂器: horn in F and piano
出版社: Schott Music
原文簡介:
Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon.In 1962/63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.