Morceau de Concert in F minor Op. 94 Horn and Piano 聖桑斯 音樂會 法國號(含鋼琴伴奏) 亨乐版

與舒曼的 "四圓號音樂會小品 "作品 86（HN 1138）一樣，聖桑的 "音樂會小品 "也是為了利用新型氣門圓號裝置的技術可能性而創作的。在這一作品中，法國圓號演奏家亨利-肖西埃（Henri Chaussier）提供了靈感。他發明了一種新穎的 "Cor omnitonique"，並希望通過聖桑的作品展示其樂器的優點。儘管 "Morceau de Concert "獲得了認可，但肖西埃的發明並未得到圓號演奏家的認可！從今天的角度來看，這首只有一個樂章的通俗作品在技術上要求並不過高；此外，聖桑本人還建議對樂曲進行兩次刪節，以簡化樂曲，這意味著即使是高年級學生也可以大膽地演奏這首作品

作曲家: Camille Saint-Saëns
校訂者: Dominik Rahmer
樂器: Horn; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
As with Schumann's “Concert Piece for four Horns” Op. 86 (HN 1138) Saint-Saëns' “Morceau de Concert” was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns' composition. Chaussier's invention did not gain acceptance amongst horn players - although the “Morceau de Concert” did! From today's standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can venture to play it.